MusicBrainz recording
Tell Me
Stevie Ray Vaughan and Double Trouble
2:49
aa82dcd8-47b3-44cb-ba9c-b2d15abd0fde
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
2,271
linking them to it
Fingerprints
53
distinct audio files
Duration
2:46–8:03
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 6933de90-4669-4c15-a1a4-011d34a6b537 | 16 | 2:46–2:49 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||
| B |
bf3cbfa9-195c-4107-9ca0-774a54637411
Also linked to
Tell Me by Stevie Ray Vaughan and Double Trouble
|
3 | 2:49 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||
| C |
2646c9c7-6cb6-4571-80ca-28b8fd10f3f4
Also linked to
Tell Me by Stevie Ray Vaughan and Double Trouble, Tell Me (live at the Steamboat, 1980) by Stevie Ray Vaughan and Double Trouble and
|
7 | 2:46–2:49 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||
| D | fc1d1cb4-034b-407e-8f38-4c2360841370 | 1 | 2:49 | |||||||||||||||||||||||||||||||||
| E | 8d940c32-3065-42de-be70-3f44563bf104 | 1 | 3:07 | |||||||||||||||||||||||||||||||||
| F | ff16446d-c3df-4de2-b7f7-ac62ad460dbc | 1 | 2:48 | |||||||||||||||||||||||||||||||||
| G |
a9d1d20f-4823-4bb7-af2f-6828f7758615
Also linked to
Voodoo Chile (slight return) by Stevie Ray Vaughan and Double Trouble, Voodoo Child (slight return) by Stevie Ray Vaughan and Double Trouble and
|
22 | 7:59–8:03 | |||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
||||||||||||||||||||||||||||||||||||
| H | 81ede092-4af7-46fd-a336-122c5574d4e8 | 1 | 2:48 | |||||||||||||||||||||||||||||||||
| I | 3f1bab1c-6c9d-4cea-9bc3-653e7b3d94a5 | 1 | 2:49 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.86 | 0.00 | 0.00 | 0.86 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.86 | — | 0.00 | 0.00 | 0.86 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.86 | 0.86 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |