open source audio identification
MusicBrainz recording
Twilight Zone
Golden Earring
4:51
aa0a21ff-470a-4f9c-81e2-e0010ce35305
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
341
linking them to it
Fingerprints
31
distinct audio files
Duration
4:36–4:55
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
8623662c-3d2f-47fe-b835-33d0335e3b8c
Also linked to
Twilight Zone by Golden Earring, Twilight Zone by Golden Earring and
|
8 | 4:47–4:54 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
9139a1e8-3534-4d4a-a5ab-908c4aecdade
Also linked to
Twilight Zone by Golden Earring, Twilight Zone by Golden Earring and
|
9 | 4:36–4:40 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
0b33bd47-7e69-468b-a107-a3c32ec0b55e
Also linked to
Twilight Zone by Golden Earring, Twilight Zone by Golden Earring and
|
2 | 4:51–4:55 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D |
ee27b929-24ae-41e2-bd9f-11137aa9adb2
Also linked to
Twilight Zone (7″ single version) by Golden Earring, Twilight Zone by Golden Earring and
|
4 | 4:43–4:47 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
f2d5d5d0-5e92-48e0-84a0-f3ce47dfc52e
Also linked to
Twilight Zone by Golden Earring, Twilight Zone by Golden Earring and
|
8 | 4:44–4:47 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.