open source audio identification
MusicBrainz recording
Daft Punk
Cullah
4:40
a8567cb5-bf02-461b-9218-9d39eadcabb0
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
11
linking them to it
Fingerprints
205
distinct audio files
Duration
1:44–10:04
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
25b6020e-ce03-42a5-8ffa-eca588036fd6
Also linked to
Digital Love by Daft Punk, Funky Smoke (Deep Purple vs. Daft Punk vs. Usher vs. Ludacris) by DJ Lobsterdust
|
4 | 4:24–4:25 | ||||||||||||||||||
|
Recordings linked to A
|
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| B |
fc8fff70-c56f-4f7e-adf5-6be8212557c0
Also linked to
Voyager by Daft Punk
|
6 | 3:43–3:45 | ||||||||||||||||||
|
Recordings linked to B
|
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| C |
d1ff7609-30eb-4078-b3e9-3864614e089e
Also linked to
Too Long by Daft Punk
|
26 | 9:57–10:04 | ||||||||||||||||||
|
Recordings linked to C
|
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| D |
2a9dd8db-d6b4-4848-bd0d-eb2f7d4b26e1
Also linked to
Superheroes by Daft Punk
|
9 | 3:54–3:55 | ||||||||||||||||||
|
Recordings linked to D
|
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| E |
131e6cf5-7043-43c8-8165-522dc3c5e0a5
Also linked to
Short Circuit by Daft Punk, Short Circuit by Daft Punk
|
2 | 3:16 | ||||||||||||||||||
|
Recordings linked to E
|
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| F | d685eb04-d8f0-451a-83a8-92d2549d714e | 1 | 4:46 | ||||||||||||||||||
| G |
c329bbcb-2887-4370-a82c-be8cfd16c639
Also linked to
Nightvision by Daft Punk, Nightvision by Daft Punk
|
4 | 1:44–1:51 | ||||||||||||||||||
|
Recordings linked to G
|
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| H |
ca869ab9-c11e-43ea-819a-31f2465a173e
Also linked to
Daft Punk / Skrillex (remix) by Conte
|
3 | 3:20 | ||||||||||||||||||
|
Recordings linked to H
|
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| I | 740d2a67-6c16-4e09-8c8c-ee4971554482 | 150 | 3:16–3:23 | ||||||||||||||||||
|
Recordings linked to I
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |