open source audio identification
MusicBrainz recording
Get Up
Ciara featuring Chamillionaire
4:22
a8272228-96bf-49c8-8ab3-b40fc0229e3a
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
904
linking them to it
Fingerprints
56
distinct audio files
Duration
4:00–4:59
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
cfe29562-a665-46f4-b9ea-205b51079b76
Also linked to
Get Up (main version) by Ciara feat. Chamillionaire, Get Up by Crucial Conflict and
|
31 | 4:19–4:26 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
34c326a8-ca5f-48d4-9863-8aec5e841e7d
Also linked to
Get In, Fit In by Ciara, GET UP! by SOULHEAD and
|
9 | 4:13–4:18 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
01ce5ad6-fdf9-40f4-90f2-78e744b8243f
Also linked to
Get Up (main) by Ciara, Get Up by Dominica
|
8 | 4:27–4:34 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D | 0efe8bf4-006c-41cb-b29f-7db24af2875e | 1 | 4:18 | |||||||||||||||||||||||||||||||||||||||||||
| E | 29bd8c66-1165-447f-b18e-b0b551e4c09a | 1 | 4:23 | |||||||||||||||||||||||||||||||||||||||||||
| F |
2886818f-1f27-47f5-b262-033a881d4999
Also linked to
Get Up by Future 86
|
1 | 4:59 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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| G | bc1bef95-0640-4f53-bc9b-08cac875a6f6 | 1 | 4:21 | |||||||||||||||||||||||||||||||||||||||||||
| H | 6432e28b-bb8d-45ef-8ffc-6686c6026216 | 1 | 4:13 | |||||||||||||||||||||||||||||||||||||||||||
| I | 703b9fa8-7aae-46c3-af23-65c59b01e934 | 1 | 4:24 | |||||||||||||||||||||||||||||||||||||||||||
| J | e09050b7-1d39-4430-8564-556b62446d8b | 1 | 4:24 | |||||||||||||||||||||||||||||||||||||||||||
| K | 5d8c448b-9ed7-47d8-a5d8-ea098e116071 | 1 | 4:00 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.74 | 0.76 | 0.18 | 0.00 | 0.00 | 0.00 | 0.00 | 0.31 | 0.49 | 0.00 |
| B | 0.74 | — | 0.95 | 0.22 | 0.00 | 0.00 | 0.00 | 0.00 | 0.33 | 0.56 | 0.00 |
| C | 0.76 | 0.95 | — | 0.23 | 0.00 | 0.00 | 0.00 | 0.00 | 0.32 | 0.57 | 0.00 |
| D | 0.18 | 0.22 | 0.23 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.06 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.31 | 0.33 | 0.32 | 0.06 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.49 | 0.56 | 0.57 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |