MusicBrainz recording
Up on the Roof
James Taylor
4:11
live, (Live)
a760a232-ed0b-4c31-8f06-7a7e2c9368fc
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
446
linking them to it
Fingerprints
36
distinct audio files
Duration
4:07–6:38
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
42aef23e-7ebf-4d66-8c8e-14481ca19d6a
Also linked to
Up on the Roof by James Taylor, Sun on the Moon by James Taylor
|
3 | 4:09–4:11 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | e2ffdd4d-8b33-43f9-9050-32300e3acfd3 | 2 | 4:09–4:10 | |||||||||||||||||||||||||||||||||
| C |
a525a494-2a48-4067-b00b-f8947c283807
Also linked to
Up on the Roof by James Taylor, Up on the Roof by James Taylor and
|
2 | 4:10 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
a2d06dc2-b94b-4e86-9451-54ffcc7784a9
Also linked to
Up on the Roof by James Taylor, Up on the Roof (5.1 mix) by James Taylor and
|
15 | 4:18–4:23 | |||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
1114665b-f74a-44d7-8d77-0f12be84e4ee
Also linked to
Sun on the Moon by James Taylor
|
2 | 4:18–4:22 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
1db3c929-81e1-41e6-b3e5-58cbba4dedc0
Also linked to
Walking Man by James Taylor, Walking Man by James Taylor and
|
4 | 4:07 | |||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
0b698f70-b1bc-44ad-8e92-8d2b60ea256e
Also linked to
Get Up, Stand Up by Bob Marley & The Wailers, Get Up, Stand Up by Bob Marley & The Wailers and
|
7 | 6:32–6:38 | |||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 0da2ceb1-b20c-4ebf-9d1b-2f7eb5b3fae2 | 1 | 4:10 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.79 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.79 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |