open source audio identification
MusicBrainz recording
Set Me Loose
Stereo MC’s
3:29
a5270000-ebdc-4db3-843b-dae3b1efdc62
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
112
linking them to it
Fingerprints
61
distinct audio files
Duration
3:25–3:33
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3e913ec2-f8aa-4954-b1d7-e006ad24689c
Also linked to
Set Me Loose by Stereo MC’s
|
6 | 3:27–3:29 | |||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
77531752-f786-40f4-9e9b-0ffc8f24818b
Also linked to
What’s on Your Mind? by Ace Frehley, What’s on Your Mind? (concl.) by Ace Frehley and
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9 | 3:27–3:29 | |||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
0eb60981-7e93-49ae-bc96-f9f7ea4c450c
Also linked to
Home by Alter Bridge, All Hope Is Gone by Alter Bridge and
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3 | 3:28–3:30 | |||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
e23520bb-0d58-43b9-9022-84151aaf6e0a
Also linked to
Solamente una vez by Andrea Bocelli, Mussolini High School L. by Traffic Jammies
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2 | 3:30 | |||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
6a6de75d-28b2-457e-acf9-19485ec9d51e
Also linked to
Wishing You Were Somehow Here Again by Andrew Lloyd Webber, Wishing You Were Somehow Here Again by Laclede Quartet, The and
|
7 | 3:29–3:30 | |||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
ec90d800-9502-4475-acd9-0e19c2e9c231
Also linked to
Take That Look Off Your Face by Marti Webb, Take That Look of Your Face by Marti Webb and
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2 | 3:32–3:33 | |||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G |
2f79b3f4-4c34-490e-8932-944bfdbf7009
Also linked to
Ghosts in My Machine by Annie Lennox, Ghosts in My Machine (with artist commentary) by Annie Lennox
|
2 | 3:33 | |||||||||||||||||||||||||||||||||
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Recordings linked to G
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| H |
c960bbd8-9ed4-4a7f-bf96-4c6a99af4d2e
Also linked to
Spanish Harlem by Aretha Franklin, Spanish Harlem by Aretha Franklin
|
14 | 3:26–3:33 | |||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I |
3d29fcb5-0107-4768-ab5c-54f39db8afe6
Also linked to
My Fork in the Road (Your Knife in My Back) by Atreyu, My Fork in the Road (Your Knife in My Back) by Atreyu
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3 | 3:25–3:29 | |||||||||||||||||||||||||||||||||
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Recordings linked to I
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| J |
c61d0ecf-39ab-45b4-a98b-fe5a0c52a52e
Also linked to
Alexis’ Boogie by B.B. King
|
5 | 3:28–3:32 | |||||||||||||||||||||||||||||||||
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Recordings linked to J
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| K |
dcc20689-68a0-4a73-acf3-fb2b5fd6c697
Also linked to
O Holy Night by Tracy Chapman, O Holy Night by Tracy Chapman
|
5 | 3:25–3:30 | |||||||||||||||||||||||||||||||||
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Recordings linked to K
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| L |
d5b3f18e-f8f9-42fc-bd7a-5058a4d676ff
Also linked to
If I Could Do It Over Again by Animal Logic, Total Eclipse (radio version) by Rosenstolz + Marc Almond
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3 | 3:28 | |||||||||||||||||||||||||||||||||
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Recordings linked to L
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |