MusicBrainz recording
The Wah‐Watusi
The Orlons
2:32
a40941e7-202f-421e-a7b0-e24871112133
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
173
linking them to it
Fingerprints
42
distinct audio files
Duration
2:25–2:41
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
0624edc1-be1d-4502-a64c-1b5b9842b7b9
Also linked to
The Wah Watusi by The Orlons, The Wah Watusi by The Orlons and
|
21 | 2:25–2:33 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
cde32178-acc5-4485-b435-4aa45535b9b5
Also linked to
The Wah Watusi by The Orlons, The Wah Watusi by The Orlons and
|
5 | 2:30–2:32 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
8ab0f101-c273-44f9-9663-fdbadd903d3b
Also linked to
The Wah-Watusi by The Orlons, The Wah Watusi by The Orlons and
|
12 | 2:31–2:35 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
613824e4-e729-44f4-b894-68547ce4308a
Also linked to
The Wah Watusi by The Orlons
|
2 | 2:30–2:31 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | 185111cf-9c45-4cc2-91fe-c8b63eb53266 | 1 | 2:41 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| F | b624f165-0e4b-4db6-9b53-1db4d5b97c6f | 1 | 2:29 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.