open source audio identification
MusicBrainz recording
Don’t Know Why
Eric Clapton
3:12
Dowd studio mix
a3d0f3f3-975e-4e6a-8cc9-275a6d9e2807
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
906
linking them to it
Fingerprints
46
distinct audio files
Duration
3:00–3:23
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
6b50b1ab-b1bb-4d6f-9751-d34e742e0e31
Also linked to
Don’t Know Why by Eric Clapton, I Don’t Know Why by Eric Clapton and
|
11 | 3:09–3:18 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
f798ca52-f94e-4f69-8dfb-c8c76788524f
Also linked to
Don’t Know Why by Eric Clapton
|
4 | 3:10–3:17 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C | f5955c22-a9e3-448a-b5b2-67504ead826d | 1 | 3:09 | |||||||||||||||||||||||
| D |
9054837f-cd90-46a8-b406-b8293834ffbe
Also linked to
Don’t Know Why by Eric Clapton
|
1 | 3:14 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 810ba900-83d9-4be0-b202-312d4d82da3d | 1 | 3:13 | |||||||||||||||||||||||
| F | 090caa3c-db5d-4a79-ad72-48f9971b6076 | 1 | 3:18 | |||||||||||||||||||||||
| G |
8f4f6758-a6c0-4903-8ef3-f4308fbffced
Also linked to
I Don’t Know Why by Eric Clapton, Don’t Know Why by Eric Clapton
|
7 | 3:21–3:23 | |||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 181ae9b6-bb68-460c-b003-b2d2aba8333f | 1 | 3:00 | |||||||||||||||||||||||
| I | 2ca6411d-865c-46fa-b157-09432c7a7631 | 1 | 3:12 | |||||||||||||||||||||||
| J |
3355591d-85d8-4951-8cc5-56c233044f60
Also linked to
San Francisco Bay Blues by Eric Clapton, San Francisco Bay Blues by Eric Clapton
|
16 | 3:18–3:23 | |||||||||||||||||||||||
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Recordings linked to J
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| K | fbbd0eb7-eac3-42d6-915c-b18bedd94710 | 1 | 3:12 | |||||||||||||||||||||||
| L | 158e5532-1b2c-40b2-90bb-6462c5c08559 | 1 | 3:09 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.91 | 0.82 | 0.41 | 0.00 | 0.00 | 0.52 | 0.82 | 0.00 | 0.00 | 0.00 | 0.63 |
| B | 0.91 | — | 0.81 | 0.00 | 0.00 | 0.00 | 0.51 | 0.86 | 0.00 | 0.00 | 0.00 | 0.60 |
| C | 0.82 | 0.81 | — | 0.48 | 0.00 | 0.00 | 0.59 | 0.77 | 0.00 | 0.00 | 0.00 | 0.73 |
| D | 0.41 | 0.00 | 0.48 | — | 0.74 | 0.00 | 0.63 | 0.00 | 0.00 | 0.00 | 0.00 | 0.56 |
| E | 0.00 | 0.00 | 0.00 | 0.74 | — | 0.00 | 0.50 | 0.00 | 0.00 | 0.00 | 0.00 | 0.47 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.52 | 0.51 | 0.59 | 0.63 | 0.50 | 0.00 | — | 0.52 | 0.00 | 0.00 | 0.00 | 0.68 |
| H | 0.82 | 0.86 | 0.77 | 0.00 | 0.00 | 0.00 | 0.52 | — | 0.00 | 0.00 | 0.00 | 0.60 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.63 | 0.60 | 0.73 | 0.56 | 0.47 | 0.00 | 0.68 | 0.60 | 0.00 | 0.00 | 0.00 | — |