MusicBrainz recording

Riders in the Sky (A Cowboy Legend)

Vaughn Monroe 2:59
a3c45178-487a-4dd0-bfb1-d5ab4923bf34 View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
185
linking them to it
Fingerprints
63
distinct audio files
Duration
2:55–3:15
range of submitted files

AcoustIDs

Most submitted first, 3 disabled
Show 3 disabled links
AcoustID Most common fingerprint Fingerprints Length Sources
A 1a5c420a-dc3b-4045-83e3-66fb1e799194
Also linked to Riders in the Sky (A Cowboy Legend) by Vaughn Monroe & His Orchestra, Riders in the Sky by Vaughn Monroe & His Orchestra and
7 3:01–3:04
89
B 2c900536-b08d-4c45-bdf5-e8f4d814e8c1
Also linked to Look for the Silver Lining by Vaughn Monroe, Riders in the Sky (A Cowboy Legend) by Vaughn Monroe & His Orchestra and
7 3:02–3:06
40
C 73a2ee7b-4d20-440d-bb50-afdcb70198ea
Also linked to Riders in the Sky by Vaughn Monroe
16 2:57–3:03
30
D b0354ef0-7e8a-43a5-9b3c-f3242d2da1f4
Also linked to Riders in the Sky (A Cowboy Legend) by Vaughn Monroe & His Orchestra
8 2:56–3:03
7
E abf9daad-f6ac-449f-a55a-cc689902516b 3 2:56–2:58
6
F fe263542-d4b0-47cb-9667-9f560e16dd93
Also linked to Riders in the Sky (A Cowboy Legend) by Vaughn Monroe & His Orchestra
2 3:00–3:02
5
G 25c99045-354d-4e62-a974-737c77317a14
Also linked to Riders in the Sky (A Cowboy Legend) by Vaughn Monroe & Sons of the Pioneers, Ghost Riders in the Sky by Bing Crosby
2 2:58–2:59
2
H 52ae1c14-19dd-442e-86ce-a76343207a59
Also linked to When the Lights Go on Again (All Over the World) by Vaughn Monroe, When the Lights Go On Again (All Over the World) by Vaughn Monroe and His Orchestra and
8 3:03–3:07
2
I c51c1eca-a6e1-4606-b32a-37a542dfecd5 1 3:05
1
J c263fe80-9cb1-4f33-85de-fab1046ab93c 1 3:15
1
K 960548c5-243b-4052-93dd-a37167739074 1 2:55
1
L 88ecea15-01cd-4343-bb7a-976ee88dc9ed
Also linked to Riders in the Sky (A Cowboy Legend) by Vaughn Monroe & His Orchestra, Riders in the Sky (A Cowboy Legend) by Vaughn Monroe Orchestra and vocal
7 2:56–3:00
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.