open source audio identification
MusicBrainz recording
Message in a Bottle (new classic rock mix)
The Police
4:51
a3742a04-90ef-4556-8ff6-cb718b1d6f40
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
978
linking them to it
Fingerprints
21
distinct audio files
Duration
4:41–5:13
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
1be1806b-9bcb-4316-b4c0-b61455d8de5a
Also linked to
Message in a Bottle (new classic rock mix) (5.1 mix) by The Police, Message in a Bottle by The Police and
|
5 | 4:49–4:55 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
e78ae1a6-5a12-41c7-a114-d51e2d802a5b
Also linked to
Message in a Bottle by The Police, Message in a Bottle (new classic rock mix) by The Police and
|
4 | 4:50–4:57 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
3abc883e-9e68-403d-9f9d-36e898d5317a
Also linked to
Don’t Stand So Close to Me ’86 by The Police
|
2 | 4:58 | ||||||||||||||||||||||||||||
|
Recordings linked to C
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| D |
d63d1b5c-f403-4ab5-abbb-fe43cf47a35e
Also linked to
Message in a Bottle by The Police, Message in a Bottle (new classic rock mix) by The Police
|
3 | 4:41–4:47 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | d54fd8ed-56e9-4984-9b5a-1d47b34162b2 | 3 | 4:50–4:52 | ||||||||||||||||||||||||||||
| F | 3ff4ae38-4db3-4c42-b5d0-8991dedfd24e | 1 | 4:50 | ||||||||||||||||||||||||||||
| G |
7b781b09-8a27-473d-a754-1883c130cb4c
Also linked to
Message in a Bottle by The Police, Message in a Bottle by The Police and
|
1 | 5:03 | ||||||||||||||||||||||||||||
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Recordings linked to G
|
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| H | 81084136-20f8-4526-8b45-d0c221be5b45 | 1 | 5:13 | ||||||||||||||||||||||||||||
| I | bcbdd3ab-9516-4318-a089-1962352545e4 | 1 | 4:50 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.87 | 0.94 | 0.87 | 0.73 | 0.00 | 0.00 | 0.94 | 0.32 |
| B | 0.87 | — | 0.88 | 0.96 | 0.73 | 0.00 | 0.00 | 0.92 | 0.34 |
| C | 0.94 | 0.88 | — | 0.92 | 0.69 | 0.00 | 0.00 | 0.88 | 0.30 |
| D | 0.87 | 0.96 | 0.92 | — | 0.72 | 0.00 | 0.00 | 0.89 | 0.33 |
| E | 0.73 | 0.73 | 0.69 | 0.72 | — | 0.00 | 0.00 | 0.73 | 0.27 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.94 | 0.92 | 0.88 | 0.89 | 0.73 | 0.00 | 0.00 | — | 0.34 |
| I | 0.32 | 0.34 | 0.30 | 0.33 | 0.27 | 0.00 | 0.00 | 0.34 | — |