open source audio identification
MusicBrainz recording
Sex as a Weapon
Pat Benatar
4:20
a173b982-3b07-4eed-aa69-59ad0daf5aab
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
1,479
linking them to it
Fingerprints
47
distinct audio files
Duration
4:04–4:41
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
a94aacae-55b6-4a1f-adb1-657b2c750c97
Also linked to
Sex as a Weapon by Pat Benatar, The Best of Times by Styx and
|
31 | 4:16–4:21 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
b1d6a74f-dc1d-46fd-8ffd-633e15dcaa22
Also linked to
Save The World (Cazzette bootleg) by Swedish House Mafia, Save the World by Swedish House Mafia and
|
7 | 4:13–4:20 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 4699b4db-57da-4238-a67d-1b56ca60e9d3 | 1 | 4:25 | |||||||||||||||||||||||||||||||||
| D | 442e1c29-9eb6-44e4-8883-d0405ebc4f14 | 1 | 4:05 | |||||||||||||||||||||||||||||||||
| E |
93f68b04-3b74-4e4f-b1d6-8b88521ec33c
Also linked to
Sex as a Weapon by Pat Benatar
|
2 | 4:11–4:12 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | b51d8985-8685-4903-b0e0-cb2ebf322f9e | 1 | 4:31 | |||||||||||||||||||||||||||||||||
| G | 80efdf63-5557-406b-9c5c-840401c8cf67 | 1 | 4:12 | |||||||||||||||||||||||||||||||||
| H | 740c0e03-bd21-444f-bc13-8bf8376f8d22 | 1 | 4:04 | |||||||||||||||||||||||||||||||||
| I |
1956742b-55a5-4bb6-8820-dd9c249fb77b
Also linked to
Lost in a Lost World by The Moody Blues, Sex as a Weapon by Pat Benatar
|
2 | 4:38–4:41 | |||||||||||||||||||||||||||||||||
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Recordings linked to I
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.66 | 0.78 | 0.86 | 0.00 | 0.55 | 0.86 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.66 | 0.00 | 0.00 | — | 0.60 | 0.65 | 0.00 | 0.68 | 0.58 |
| E | 0.78 | 0.00 | 0.00 | 0.60 | — | 0.83 | 0.00 | 0.00 | 0.82 |
| F | 0.86 | 0.00 | 0.00 | 0.65 | 0.83 | — | 0.00 | 0.00 | 0.98 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.55 | 0.00 | 0.00 | 0.68 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.86 | 0.00 | 0.00 | 0.58 | 0.82 | 0.98 | 0.00 | 0.00 | — |