open source audio identification
MusicBrainz recording
Shake Ya Tailfeather
Nelly, P. Diddy & Murphy Lee
4:57
a0997a2f-ba6d-485f-af6a-d61762431bc4
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
175
linking them to it
Fingerprints
33
distinct audio files
Duration
4:47–5:04
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
88189177-2f7e-472f-a1e9-4a59a94d5ec7
Also linked to
Shake Ya Tailfeather by Nelly, P. Diddy & Murphy Lee, Shake Ya Tailfeather by Murphy Lee feat. Nelly and P. Diddy and
|
22 | 4:51–4:58 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
a66d0944-a544-4f2a-ac44-bc04f32afe1e
Also linked to
Shake Ya Tailfeather by Nelly, P. Diddy & Murphy Lee, Shake Ya Tailfeather by Nelly, P. Diddy & Murphy Lee and
|
6 | 4:59–5:04 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C | eebebcea-0d39-45b9-9a8b-bf1d5ba9643b | 1 | 4:53 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D | f6fb9df4-8fba-48b5-b02e-0ccd8145a72a | 1 | 4:47 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | dc55c82f-e25d-4893-b1a6-dcebba2efa93 | 1 | 5:00 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| F | 23cc5da0-1b8c-4eaf-b92e-1e7dac1b9542 | 1 | 4:57 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| G | e19d363c-8653-4686-bc11-488ba0629603 | 1 | 4:53 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.