MusicBrainz recording
You're the One
Tracy Chapman
3:06
9fa4c02b-76f1-4772-b63a-aab74bda6e71
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
1,128
linking them to it
Fingerprints
64
distinct audio files
Duration
3:04–3:35
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
0700cfcd-e4fc-4dd0-86c1-129af6a0fdea
Also linked to
For You by Tracy Chapman
|
4 | 3:04–3:07 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | b6ea82e1-ac74-42df-83be-b1252551c6b3 | 3 | 3:04–3:07 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| C | 359a2bee-feed-4eeb-8070-755cf058d022 | 1 | 3:31 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| D | fbffe3c8-fa0a-40e6-82f7-84391cacf7b0 | 1 | 3:20 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | d9eb8ce4-fc08-429e-9277-92126d13a30f | 1 | 3:06 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| F |
ca151817-be94-45dc-8770-a461d4cffa12
Also linked to
Since You’re Gone by The Cars
|
5 | 3:28–3:35 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
f8e73877-9c35-4b7a-9668-c683f68f7e98
Also linked to
You Might Think by The Cars, You Might Think by The Cars and
|
47 | 3:04–3:11 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
201a3e6a-b2c9-4a76-ba09-a6e09edf6892
Also linked to
Half a Man by Anthony Smith
|
2 | 3:05 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.96 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.96 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |