open source audio identification
MusicBrainz recording
Ain’t Misbehavin’
Louis Armstrong
4:02
9eae33ed-39a0-4ffa-aa6c-fdab716e2b71
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
22
linking them to it
Fingerprints
51
distinct audio files
Duration
3:08–4:07
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
520e5f3e-ea50-41d1-b793-c2581dabea9e
Also linked to
Ain’t Misbehavin’ by Louis Armstrong
|
4 | 4:02–4:03 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
9720a064-c089-4d82-854a-5222ec73f153
Also linked to
A Kiss to Build a Dream On by Louis Armstrong, A Kiss to Build a Dream On by Louis Armstrong and
|
2 | 3:08–3:11 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
5ba33c74-f671-40f7-a8f6-f42219ff46c8
Also linked to
Ain’t Misbehavin’ by Louis Armstrong, Ain’t Misbehavin’ by Louis Armstrong and
|
14 | 3:57–4:03 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
6461c7b8-ccb4-4884-8a37-9b95b08b1714
Also linked to
Ain’t Misbehavin’ by Ella & Louis, Ain’t Misbehavin’ by Louis Armstrong and
|
30 | 4:00–4:07 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | 81deda7f-ae30-4f47-bb4e-f544a7cbc380 | 1 | 4:02 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.