open source audio identification
MusicBrainz recording
Talk to Me
KISS
4:03
9e73e399-a40b-4e84-ad9d-b9e285f87cc8
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
778
linking them to it
Fingerprints
44
distinct audio files
Duration
3:40–4:15
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
95c2ef00-336e-425d-a9e9-8e96c522c6c5
Also linked to
Five Card Stud by Ace Frehley
|
9 | 4:02–4:05 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | c9e113a3-9195-44ec-b981-02b1453b3b44 | 6 | 4:01–4:02 | ||||||||||||||||||||||||||||
| C | b5bf0892-c1a7-433f-b582-54b01f4c39ba | 1 | 3:52 | ||||||||||||||||||||||||||||
| D |
16e3711d-94cc-43ff-8349-493aa815b9c4
Also linked to
Reason to Live by KISS, Reason to Live by KISS and
|
18 | 3:58–4:03 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | bdbcf3f9-3f3a-43ad-bbe2-0421af1ec8b3 | 1 | 3:55 | ||||||||||||||||||||||||||||
| F | c71f4aab-9852-4add-837c-21e648bfb212 | 1 | 4:05 | ||||||||||||||||||||||||||||
| G | 1a6294fb-c919-411a-a41d-ccbc94daf0df | 1 | 3:59 | ||||||||||||||||||||||||||||
| H | 5ff4fcda-9863-4acc-9b53-b617ea2527cc | 1 | 4:03 | ||||||||||||||||||||||||||||
| I | 4a4eb41e-8fd7-4c39-b7ab-be5430db08a3 | 1 | 4:07 | ||||||||||||||||||||||||||||
| J | 4ba83f59-bb58-4697-8601-c8299781df5d | 1 | 4:15 | ||||||||||||||||||||||||||||
| K |
bdcb6a51-232a-4590-9fa3-14e8fde721a1
Also linked to
Talk to Me by KISS
|
1 | 4:06 | ||||||||||||||||||||||||||||
|
Recordings linked to K
|
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| L |
22cd2ddd-a7f4-48d5-88e1-4c0cf5f5a4b2
Also linked to
Talk to Me (live) by KISS
|
3 | 3:40–3:41 | ||||||||||||||||||||||||||||
|
Recordings linked to L
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.69 | 0.70 | 0.00 | 0.83 | 0.00 | 0.51 | 0.00 | 0.00 | 0.69 | 0.00 | 0.00 |
| B | 0.69 | — | 0.84 | 0.00 | 0.60 | 0.00 | 0.69 | 0.00 | 0.00 | 0.85 | 0.00 | 0.00 |
| C | 0.70 | 0.84 | — | 0.00 | 0.67 | 0.00 | 0.66 | 0.00 | 0.00 | 0.87 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.83 | 0.60 | 0.67 | 0.00 | — | 0.00 | 0.49 | 0.00 | 0.00 | 0.62 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.51 | 0.69 | 0.66 | 0.00 | 0.49 | 0.00 | — | 0.00 | 0.00 | 0.71 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.69 | 0.85 | 0.87 | 0.00 | 0.62 | 0.00 | 0.71 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |