open source audio identification
MusicBrainz recording
Step Into Christmas
Elton John
4:12
radio mix
9d8c4d1a-cedb-42ba-af50-385c5d3f4d40
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
1,107
linking them to it
Fingerprints
99
distinct audio files
Duration
4:03–4:36
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
c058a736-f1b4-4519-a1b5-0fcfbbe9f934
Also linked to
A Winter’s Tale by David Essex
|
17 | 4:09–4:15 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
5662b75e-420e-4353-a2a4-de4173414067
Also linked to
Step Into Christmas by Elton John
|
8 | 4:16–4:22 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
78eef044-758b-4913-b3d6-666defbf64a4
Also linked to
Step Into Christmas by Elton John, Step Into Christmas by Elton John and
|
37 | 4:25–4:32 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 97802072-8488-4b71-b663-a6e113eded10 | 2 | 4:10–4:13 | ||||||||||||||||||||||||||||
| E | 8f93fd0d-f565-42ec-b173-595556d92f5d | 1 | 4:11 | ||||||||||||||||||||||||||||
| F |
9c8d4dd3-a3df-48f2-a31b-83876b45f890
Also linked to
Step Into Christmas by Elton John, Step Into Christmas by Elton John and
|
25 | 4:29–4:36 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 0a0e7de6-2828-4cf5-8cc7-71a1881e9413 | 1 | 4:16 | ||||||||||||||||||||||||||||
| H | a73ed440-8bef-4fed-9755-88695f590f76 | 2 | 4:10–4:14 | ||||||||||||||||||||||||||||
| I |
3010d717-c535-47fa-bf01-ad27d7acc812
Also linked to
A Christmas to Remember by Amy Grant, Christmas Canon by Trans‐Siberian Orchestra
|
4 | 4:23–4:27 | ||||||||||||||||||||||||||||
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Recordings linked to I
|
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| J | c2b4ce2e-4e15-4d47-a782-354c779b542d | 1 | 4:09 | ||||||||||||||||||||||||||||
| K | d49d3823-9cb7-4d19-8d52-293a09c1c5b4 | 1 | 4:03 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.75 | 0.80 | 0.00 | 0.00 | 0.75 | 0.00 | 0.00 | 0.00 | 0.23 | 0.00 |
| B | 0.75 | — | 0.82 | 0.00 | 0.00 | 0.99 | 0.00 | 0.00 | 0.00 | 0.20 | 0.00 |
| C | 0.80 | 0.82 | — | 0.00 | 0.00 | 0.83 | 0.00 | 0.00 | 0.00 | 0.20 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.75 | 0.99 | 0.83 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.20 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.49 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.23 | 0.20 | 0.20 | 0.00 | 0.00 | 0.20 | 0.49 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |