MusicBrainz recording
That Old Black Magic
Glenn Miller
3:01
9d13c55d-0811-4cab-a0c2-d79079596f30
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
61
linking them to it
Fingerprints
52
distinct audio files
Duration
2:44–3:09
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
251c269e-10e7-4cae-bfaf-8ca1a671fd05
Also linked to
That Old Black Magic by The Glenn Miller Orchestra, That Old Black Magic by Glenn Miller and
|
7 | 2:59–3:02 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
3e682978-21b4-4db9-9096-290fb7c403f1
Also linked to
That Old Black Magic by Glenn Miller, That Old Black Magic by Glenn Miller and
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6 | 3:00–3:05 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
52aa1611-7fc7-4e2a-9921-ad347d57b54a
Also linked to
That Old Black Magic by Skip Nelson & The Modernaires with Glenn Miller & His Orchestra, That Old Black Magic by The Glenn Miller Orchestra and
|
34 | 3:03–3:07 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
5cda7a3e-d5ac-4e65-a592-781e3a3cbfec
Also linked to
That Old Black Magic by Glenn Miller & His Orchestra, Juke Box Saturday Night by Glenn Miller & His Orchestra and
|
2 | 3:04 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E | efb67866-608d-406f-84b0-7051b41db5b5 | 1 | 3:01 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| F | a0e50c41-0aa7-480e-a6f0-dd75762c03ed | 1 | 2:44 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| G | 7a94ae7c-925a-4d6d-bd2c-090590d31680 | 1 | 3:09 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.