open source audio identification
MusicBrainz recording
What to Do
The Rolling Stones
2:34
stereo
9bf3ac69-2100-4eac-95a9-cbe906ed3c2a
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
1,216
linking them to it
Fingerprints
39
distinct audio files
Duration
2:20–2:43
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
ce4be8fa-ea38-46e2-becf-0e164b3e31e8
Also linked to
What to Do by The Rolling Stones
|
18 | 2:31–2:37 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
05ce7a83-7498-4e89-842f-2f315557728c
Also linked to
What to Do by The Rolling Stones, What to Do by The Rolling Stones and
|
5 | 2:28–2:32 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 1c83fdae-127e-48bc-9048-d95895dfce6c | 1 | 2:34 | |||||||||||||||||||||||||||||||||
| D |
cf08bf23-3bb8-4341-86c6-4d6901076b03
Also linked to
What to Do by The Rolling Stones
|
1 | 2:43 | |||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | b62e3c1a-2fc2-4148-b282-c495a70d9e25 | 3 | 2:30–2:32 | |||||||||||||||||||||||||||||||||
| F | 16cadb58-b2bd-47db-9d03-08e75b51f00b | 3 | 2:32–2:34 | |||||||||||||||||||||||||||||||||
| G | b664dfe4-7762-44af-a451-b2db4fdbafc0 | 2 | 2:29–2:31 | |||||||||||||||||||||||||||||||||
| H | 0ba382e0-5e35-4dc4-8b5f-b5b668766a0e | 1 | 2:34 | |||||||||||||||||||||||||||||||||
| I | 5257834a-f59c-4cad-8ca9-5ddac0d551d6 | 1 | 2:20 | |||||||||||||||||||||||||||||||||
| J |
c1a21b59-5597-4d4e-868a-8a4291d9cad7
Also linked to
Have You Seen Your Mother... (1966-08-xx: stereo mix) by The Rolling Stones, Have You Seen Your Mother, Baby … by The Rolling Stones and
|
3 | 2:33–2:35 | |||||||||||||||||||||||||||||||||
|
Recordings linked to J
|
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| K | 8dda1712-d89c-43de-94fe-bc8199c6cbb9 | 1 | 2:35 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.59 | 0.84 | 0.97 | 0.47 | 0.00 | 0.72 | 0.00 | 0.00 | 0.00 | 0.35 |
| B | 0.59 | — | 0.66 | 0.68 | 0.65 | 0.00 | 0.65 | 0.00 | 0.00 | 0.00 | 0.37 |
| C | 0.84 | 0.66 | — | 0.87 | 0.44 | 0.00 | 0.69 | 0.00 | 0.00 | 0.00 | 0.33 |
| D | 0.97 | 0.68 | 0.87 | — | 0.46 | 0.00 | 0.72 | 0.00 | 0.00 | 0.00 | 0.34 |
| E | 0.47 | 0.65 | 0.44 | 0.46 | — | 0.00 | 0.53 | 0.00 | 0.00 | 0.00 | 0.42 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.72 | 0.65 | 0.69 | 0.72 | 0.53 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.32 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.35 | 0.37 | 0.33 | 0.34 | 0.42 | 0.00 | 0.32 | 0.00 | 0.00 | 0.00 | — |