open source audio identification
MusicBrainz recording
You Give Love a Bad Name
Bon Jovi
3:50
live, 1995: Wembley Stadium, London, UK
9bdf4457-2c13-41ff-b2fa-5e2eff855983
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
14
linking them to it
Fingerprints
68
distinct audio files
Duration
3:36–4:19
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
38e096bb-9a58-44ad-b299-90dc19204838
Also linked to
You Give Love a Bad Name by Bon Jovi, You Give Love a Bad Name by Bon Jovi and
|
43 | 3:40–3:47 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
ef503dec-c65d-44dc-964c-e09cbcd51acd
Also linked to
You Give Love a Bad Name by Bon Jovi, You Give Love a Bad Name by Bon Jovi and
|
19 | 3:36–3:43 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
732c1017-c651-484c-b7ba-00a1455f76cb
Also linked to
You Give Love a Bad Name by Bon Jovi
|
1 | 3:40 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D | a18cf9ba-7428-4ce3-92f7-8931be5ef802 | 1 | 3:50 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | 6dc1b2a2-27a9-4de8-b3fd-52f9bdc62c15 | 1 | 3:54 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| F | 500c92fe-7adb-40e3-9289-e52092d5128e | 3 | 4:14–4:19 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.