MusicBrainz recording
Sarah Yellin’
3 Doors Down
3:29
live, 2003-02: Cynthia Woods Mitchell Pavilion, Houston, TX, USA
9bd957e3-e8bf-4685-b666-ba9a39e5b73f
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
225
linking them to it
Fingerprints
29
distinct audio files
Duration
3:14–3:40
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
0b2b9057-dcc7-4bd9-abeb-58aa71885a4d
Also linked to
Sarah Yellin’ by 3 Doors Down, Sarah Yellin’ 86 (1996 Demo Escatawpa Sessions) by 3 Doors Down
|
6 | 3:29–3:31 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
801d5bc5-7831-42b8-8c1b-893bc3d0ac55
Also linked to
By My Side by 3 Doors Down, Sarah Yellin’ by 3 Doors Down and
|
8 | 3:15–3:18 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
f86b9633-b2bb-4b5f-8944-486121ccdcf6
Also linked to
Sarah Yellin’ 86 (1996 Demo Escatawpa Sessions) by 3 Doors Down, Runaway by 3 Doors Down and
|
3 | 3:31 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
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| D |
d6507b03-0c3c-467b-9abc-e7af4ba09889
Also linked to
Sarah Yellin’ by 3 Doors Down, Sarah Yellin’ by 3 Doors Down and
|
8 | 3:14–3:20 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | fbb45d5e-5370-4ac1-8d77-18a5b5741535 | 1 | 3:40 | ||||||||||||||||||||||||||||||||||||||
| F |
fb1e3b61-e1e6-485c-8e60-e38298463b50
Also linked to
Sarah Yellin’ by 3 Doors Down, Sarah Yellin’ by 3 Doors Down
|
2 | 3:32–3:34 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G | 3a637e99-94e2-4747-bf33-a9853da5742a | 1 | 3:29 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.