open source audio identification
MusicBrainz recording
Janie’s Got a Gun
Aerosmith
5:29
9a7db31c-186f-45d9-a4d5-0c29f2c11cb7
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
33
linking them to it
Fingerprints
44
distinct audio files
Duration
5:22–5:34
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
0630ec8c-ccaa-4cdf-9375-3ca6d3dab40c
Also linked to
Janie’s Got a Gun by Aerosmith, Janie's Got a Gun by Aerosmith and
|
6 | 5:22–5:28 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
17a85cd1-e1f7-4f56-bdd5-1f80c423fea9
Also linked to
Water Song / Janie’s Got a Gun by Aerosmith, Janie's Got a Gun by Aerosmith and
|
14 | 5:27–5:34 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
f864339a-a580-4311-a7c8-67d88782a06e
Also linked to
Janie’s Got a Gun by Aerosmith, Janie’s Got a Gun by Aerosmith and
|
18 | 5:25–5:32 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D | 023645fd-1ddd-4c5f-998d-995abdef3d53 | 1 | 5:30 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
8457829b-4411-4ee9-bd74-2bf9dee7049b
Also linked to
Janie’s Got a Gun by Aerosmith, Janie's Got a Gun by Aerosmith and
|
5 | 5:33–5:34 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.