MusicBrainz recording
Anyone Can Play Guitar (live at The Forum)
Radiohead
3:36
9a5bc4f8-170f-41ae-8977-8c4606cdf340
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
69
linking them to it
Fingerprints
18
distinct audio files
Duration
3:21–3:43
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
270f4529-9610-414d-8ae4-33709fe2b395
Also linked to
Anyone Can Play Guitar by Radiohead, Anyone Can Play Guitar by Radiohead and
|
3 | 3:36–3:42 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||
| B |
144507b6-0920-4b5c-adf9-dcd387c8a088
Also linked to
Anyone Can Play Guitar by Radiohead, Anyone Can Play Guitar by Radiohead and
|
3 | 3:21–3:24 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||
| C |
87fde605-b1ff-405f-9d61-bbea4dec575d
Also linked to
Anyone Can Play Guitar (live 2 Meter session) by Radiohead
|
2 | 3:35–3:36 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||
| D |
a995cc76-7c00-4206-9782-41114422790e
Also linked to
Anyone Can Play Guitar by Radiohead, Anyone Can Play Guitar by Radiohead and
|
9 | 3:36–3:43 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||
| E |
f88691ae-d63e-4b90-a780-56661b004d4e
Also linked to
Anyone Can Play Guitar (2 Meter Session) by Radiohead, Anyone Can Play Guitar (1995‐02‐27 2‐Meter session) by Radiohead
|
1 | 3:37 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.