MusicBrainz recording
Summertime
Sidney Bechet Quintet
4:12
1939-06-08, mx. GM-533-14
9a13e3b6-fca1-4e64-816f-e9f1066bce6c
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
300
linking them to it
Fingerprints
87
distinct audio files
Duration
4:06–4:17
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
81c3ba16-62ac-45a8-bf42-8bcf4b5888ca
Also linked to
Summertime by Sidney Bechet Quintet, Summertime by Sidney Bechet and
|
35 | 4:09–4:16 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
35d8df59-69d0-4cb1-9105-fc5c687c51dd
Also linked to
Summertime by Sidney Bechet, Summertime by Sidney Bechet and
|
24 | 4:06–4:13 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
bf82f411-d512-49e0-99c1-fedb34c5468e
Also linked to
Summertime by Sidney Bechet, Summertime by Sidney Bechet and
|
16 | 4:07–4:11 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
2823a3be-a8be-4884-8420-321943461b75
Also linked to
Summertime by Sidney Bechet
|
3 | 4:14–4:17 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | bd7031ee-20f2-4aab-b7eb-4dea8c91cb66 | 1 | 4:13 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F | c0529392-01b3-4a9f-8238-2a8386bd5d6a | 1 | 4:17 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G | c60c798d-cf2b-4ac0-ac29-a51dc6be9946 | 3 | 4:10–4:13 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H |
063b3d5c-1974-4444-ad51-8d696ae611a6
Also linked to
Bechet Parades the Blues (St. Louis Blues) by Sidney Bechet and His New Orleans Feetwarmers
|
4 | 4:15–4:16 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.49 | 0.00 | 0.59 | 0.64 | 0.00 | 0.78 | 0.00 |
| B | 0.49 | — | 0.00 | 0.57 | 0.59 | 0.00 | 0.48 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.59 | 0.57 | 0.00 | — | 0.70 | 0.00 | 0.56 | 0.00 |
| E | 0.64 | 0.59 | 0.00 | 0.70 | — | 0.00 | 0.63 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.78 | 0.48 | 0.00 | 0.56 | 0.63 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |