open source audio identification
MusicBrainz recording
Greatest‐Hits
Sublime
2:54
9a10482a-e7ad-4e4e-a4e6-64b53fe75b73
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
1,074
linking them to it
Fingerprints
77
distinct audio files
Duration
0:43–3:13
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
b0d4f2e8-af81-4bd8-8dd0-3cbacd911588
Also linked to
Greatest-Hits by Sublime, What I Got by Sublime
|
11 | 2:53–2:55 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B | ace6e3be-fba4-43a3-9250-628c5f151797 | 2 | 2:53 | |||||||||||||||||||||||
| C |
fdb77c9f-7e7a-4b33-ba2b-8d45bfcc6c00
Also linked to
Greatest Hits by Sublime, Greatest Hits by Sublime
|
3 | 2:56–2:58 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D | aedcb097-3607-4c70-b6ef-48c7262456de | 1 | 2:52 | |||||||||||||||||||||||
| E | ff70d291-655d-409f-a6ea-ff02d7444b49 | 1 | 2:46 | |||||||||||||||||||||||
| F |
65a06a5f-b442-4929-83b0-1913d6b1372e
Also linked to
Greatest Hits by Sublime
|
2 | 2:57 | |||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
29c3f5b3-e0c1-4f5e-a5fe-8f9c6ad58e88
Also linked to
Q‐Ball by Sublime
|
3 | 0:43–0:44 | |||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 9e6762ff-a98e-49f1-97c4-3ae37a3326a8 | 1 | 2:38 | |||||||||||||||||||||||
| I | 68bb426b-7dea-46aa-9bbb-ffa8d7d145f4 | 1 | 2:53 | |||||||||||||||||||||||
| J |
35299887-625a-473d-80ad-86d20834063f
Also linked to
Money, Money, Money by ABBA, Money, Money, Money by ABBA
|
46 | 3:06–3:13 | |||||||||||||||||||||||
|
Recordings linked to J
|
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| K | 79b7db34-6dc1-45b8-973b-72e1f657543e | 6 | 2:36–2:43 | |||||||||||||||||||||||
|
Recordings linked to K
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.32 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.32 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |