open source audio identification
MusicBrainz recording
Everything’s Alright
Yvonne Elliman, Ian Gillan, Murray Head, Alan Doggett
5:15
Jesus Christ Superstar, 1970 original London concept cast
99954652-431a-4bb8-8c8d-c9bc3ff3d4be
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
817
linking them to it
Fingerprints
32
distinct audio files
Duration
4:28–5:45
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
840ab79b-bd3f-4d6f-b072-edc7d88a0012
Also linked to
Everything’s Alright by Tim Rice and Andrew Lloyd Webber, Everything's Alright by Andrew Lloyd Webber
|
18 | 5:11–5:16 | ||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||
| B | 8f63c9c6-503b-473c-bfdf-19762445f95a | 2 | 5:19–5:22 | ||||||||||||||||||
| C | dbb3d677-fe5c-429d-b9b1-c249690c80ff | 1 | 5:05 | ||||||||||||||||||
| D | b0cec596-d7d0-42e6-b8de-285a1805d854 | 1 | 4:49 | ||||||||||||||||||
| E | 3d621ab0-3989-4720-b2f8-a167e52c30ed | 1 | 5:45 | ||||||||||||||||||
| F | 15d4ce4b-8a2b-4cdb-a23f-e475cc59184a | 1 | 5:09 | ||||||||||||||||||
| G | 742c7511-1352-463d-b0c8-093dfcbbd6ba | 1 | 5:17 | ||||||||||||||||||
| H | 3ff4fe4c-411e-4340-936a-734c9779aa80 | 1 | 5:14 | ||||||||||||||||||
| I |
1b1d0217-19c6-4b31-9bc9-33f863614917
Also linked to
Everything's Alright by Andrew Lloyd Webber
|
2 | 4:28–4:29 | ||||||||||||||||||
|
Recordings linked to I
|
|||||||||||||||||||||
| J |
29250f81-4762-4288-bbe0-5a426d46597e
Also linked to
Everything's Alright by Andrew Lloyd Webber
|
3 | 4:34–4:35 | ||||||||||||||||||
|
Recordings linked to J
|
|||||||||||||||||||||
| K | 4c3459a4-99dd-40db-9344-b6b2df7e8530 | 1 | 5:26 | ||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.74 | 0.00 | 0.00 | 0.85 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.99 |
| B | 0.74 | — | 0.00 | 0.00 | 0.77 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.74 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.85 | 0.77 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.85 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.99 | 0.74 | 0.00 | 0.00 | 0.85 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |