MusicBrainz recording

Santa Claus Is Coming to Town

Perry Como with Mitchell Ayres and His Orchestra and the Ray Charles Singers 2:42 1959 recording, stereo
98f796f5-c8af-46ca-990f-e41d2c17ece5 View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
466
linking them to it
Fingerprints
154
distinct audio files
Duration
1:54–2:55
range of submitted files

AcoustIDs

Most submitted first, 3 disabled
Show 3 disabled links
AcoustID Most common fingerprint Fingerprints Length Sources
A 5d0dc21e-244a-4a31-bf74-30fc759b4f38
Also linked to O Little Town of Bethlehem by André Previn, O Little Town of Bethlehem by Elvis Presley and
23 2:41–2:46
436
B f1bf6734-7b60-4b7b-abff-7882bb1ae573
Also linked to O Little Town of Bethlehem by André Previn, Santa Claus Is Comin’ to Town by Vic Damone
3 2:54–2:55
17
C e64da499-51d7-4478-97aa-dfcc3796a2cc 1 2:37
3
D 4dd1ed96-df5b-4070-897e-ea2fe812209b 3 2:40–2:44
3
E b5536816-005e-4f7d-9d7c-84152ca7762a
Also linked to Let It Snow! Let It Snow! Let It Snow! by Dean Martin, Let It Snow! Let It Snow! Let It Snow! by Dean Martin and
5 1:57–2:03
2
F 4f5ca4f2-1c19-42b2-8500-77e95856390c
Also linked to Santa Claus Is Coming To Town by Perry Como
3 2:18–2:20
1
G df3e9a88-e747-458a-8b1c-4b3b064434ab
Also linked to Let It Snow! Let It Snow! Let It Snow! by Dean Martin, Let It Snow! Let It Snow! Let It Snow! by Dean Martin and
16 1:54–2:00
1
H e203e151-10bb-41fc-98e3-64284a4d3191
Also linked to Santa Claus Is Coming to Town by Joseph Spence, Santa Claus Is Comin' To Town by Joseph Spence and
3 2:54
1
I 694918ce-4c98-471d-9de5-eb67ec86f5b2
Also linked to Santa Claus Is Comin’ to Town by Bing Crosby and The Andrews Sisters with Vic Schoen and His Orchestra, Santa Claus Is Comin' to Town by Bing Crosby and
67 2:40–2:47
1
J d83f5b19-1f4c-45db-9fab-b62cf8eb437c
Also linked to Santa Claus Is Comin’ to Town by Bing Crosby and The Andrews Sisters with Vic Schoen and His Orchestra, Santa Claus Is Coming to Town by Bing Crosby & The Andrews Sisters
30 2:38–2:45
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.