open source audio identification
MusicBrainz recording
Hot Shot
Karen Young
4:20
96dc14c5-6789-4e87-9054-709c41d55a64
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
266
linking them to it
Fingerprints
83
distinct audio files
Duration
3:09–8:36
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 798c9bb3-6f9c-4633-9eb1-a1fe9e78791c | 43 | 4:17–4:24 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
5c7767f5-e469-4241-9dd5-521d88c82dfa
Also linked to
Hot Shot by Karen Young
|
15 | 4:18–4:25 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
e1b8b591-1b03-4c32-8110-35e63e93a3ac
Also linked to
Hot Shot by Karen Young, No Matter What by Boyzone
|
12 | 4:13–4:19 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
31a6610c-2723-4d99-979b-fe23ae63b25b
Also linked to
Hot Shot (original 12 inch) by Karen Young, Hot Shot by Karen Young and
|
2 | 8:35–8:36 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 164d03d5-29be-487f-8e46-31dd6fd2dc67 | 1 | 3:09 | ||||||||||||||||||||||||||||
| F |
c42cc16e-5d7a-434b-9f21-0b56284e0971
Also linked to
Hot Shot by Karen Young
|
4 | 4:12–4:18 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 08065fb2-62d3-4e49-83dd-73e5768fd377 | 1 | 4:15 | ||||||||||||||||||||||||||||
| H | 1e033b37-a1c0-4a85-a67e-e1ec763ad1e6 | 1 | 7:52 | ||||||||||||||||||||||||||||
| I | 3b63850d-26ee-428e-9e3b-f6339e45d5d8 | 1 | 4:21 | ||||||||||||||||||||||||||||
| J | b0e272e2-2789-49cb-988d-bc080f606d70 | 1 | 4:26 | ||||||||||||||||||||||||||||
| K | 14116a1a-de85-4584-b0c9-f5bba7258c27 | 2 | 4:17 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.73 | 0.71 | 0.00 | 0.00 | 0.77 | 0.00 | 0.00 | 0.35 | 0.71 | 0.57 |
| B | 0.73 | — | 0.79 | 0.00 | 0.00 | 0.67 | 0.00 | 0.00 | 0.00 | 0.62 | 0.50 |
| C | 0.71 | 0.79 | — | 0.00 | 0.00 | 0.69 | 0.00 | 0.00 | 0.00 | 0.62 | 0.59 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.77 | 0.67 | 0.69 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.28 | 0.63 | 0.42 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.35 | 0.00 | 0.00 | 0.00 | 0.00 | 0.28 | 0.00 | 0.00 | — | 0.35 | 0.00 |
| J | 0.71 | 0.62 | 0.62 | 0.00 | 0.00 | 0.63 | 0.00 | 0.00 | 0.35 | — | 0.00 |
| K | 0.57 | 0.50 | 0.59 | 0.00 | 0.00 | 0.42 | 0.00 | 0.00 | 0.00 | 0.00 | — |