MusicBrainz recording
Watch Me (Whip / Nae Nae)
Silentó
3:02
96cdb386-e76b-4688-aba8-692bd43f72d7
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
603
linking them to it
Fingerprints
39
distinct audio files
Duration
2:41–3:30
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
d252b8fb-7c47-4351-8277-2550f8de1137
Also linked to
Watch Me by Silentó, Watch Me (Whip / Nae Nae) by Silentó and
|
8 | 3:01–3:06 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
28b87fdb-2ddf-4344-b5eb-3077ef7f159d
Also linked to
Watch Me by Silentó
|
5 | 3:02–3:04 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
27d36829-0d87-4abe-88ad-311617d6b468
Also linked to
Watch Me (Whip / Nae Nae) by Silentó, Watch Me by G‐Unit
|
4 | 3:22 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 222eb746-5bb0-49ae-acd7-a4631fdb10a5 | 2 | 2:47 | ||||||||||||||||||||||||||||||||||||||
| E |
3d6f795c-a440-4099-af3d-100eaaa8be3b
Also linked to
L’Amour toujours (Tiësto edit) by Dzeko & Torres feat. Delaney Jane, L’Amour Toujours (Tiësto edit) by Dzeko & Torres feat. Delaney Jane and
|
6 | 2:41–2:48 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
efe6eba0-91b9-4509-83a6-af9c33967e5d
Also linked to
Watch Me by Silentó
|
5 | 3:11–3:17 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G |
530373ab-229b-4288-bf46-d86bd397be18
Also linked to
Raindrops (Encore une fois) by Sash! feat. Stunt, Raindrops (Encore Une Fois) (Kindervater edit) by Sash! feat. Stunt and
|
8 | 2:54–2:57 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
|
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| H | 578494de-0266-4452-ad1a-7292d3f3f38c | 1 | 3:30 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.94 | 0.00 | 0.84 | 0.00 | 0.85 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.44 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.94 | 0.00 | 0.00 | — | 0.00 | 0.84 | 0.00 | 0.86 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.84 | 0.44 | 0.00 | 0.84 | 0.00 | — | 0.00 | 0.95 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.85 | 0.00 | 0.00 | 0.86 | 0.00 | 0.95 | 0.00 | — |