MusicBrainz recording
50 Ways to Leave Your Lover
Simon & Garfunkel
4:24
live, 1981-09-19: Central Park, New York, NY, USA
96b24ee3-ca56-40c1-9131-6379c19bab64
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
43
linking them to it
Fingerprints
19
distinct audio files
Duration
4:07–4:56
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 18f3b877-602d-4161-9bef-f2b131332b32 | 1 | 4:23 | |||||||||||||||||||||||
| B |
06d7ef70-70b6-4a1d-9bf8-24679b6b4cfe
Also linked to
Fifty Ways to Leave Your Lover by Simon & Garfunkel, Fifty Ways to Leave Your Lover by Simon & Garfunkel
|
1 | 4:24 | |||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||
| C |
38ce2c8b-1d9c-4b56-ab75-77f5874ca457
Also linked to
Fifty Ways to Leave Your Lover by Simon & Garfunkel, Fifty Ways to Leave Your Lover by Simon & Garfunkel and
|
4 | 4:23–4:29 | |||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||
| D | 3ad8f28b-faca-4836-b963-80fac19444fa | 1 | 4:12 | |||||||||||||||||||||||
| E |
7fd8a418-a259-433b-acae-17859874f9a4
Also linked to
Fifty Ways to Leave Your Lover by Simon & Garfunkel, Fifty Ways to Leave Your Lover by Simon & Garfunkel and
|
4 | 4:35–4:38 | |||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||
| F | 32be5d50-e74a-47bd-af06-35bb3fa02183 | 1 | 4:07 | |||||||||||||||||||||||
| G | 6473b71c-10fa-4743-8baf-0af732854ddd | 1 | 4:25 | |||||||||||||||||||||||
| H |
69fd06a8-50f8-4033-aba3-dbecaf4d2eb6
Also linked to
Fifty Ways to Leave Your Lover by Simon & Garfunkel, Fifty Ways to Leave Your Lover by Simon & Garfunkel and
|
6 | 4:49–4:56 | |||||||||||||||||||||||
|
Recordings linked to H
|
||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.65 | 0.68 | 0.88 | 0.62 | 0.00 | 0.00 | 0.67 |
| B | 0.65 | — | 0.92 | 0.62 | 0.74 | 0.82 | 0.00 | 0.84 |
| C | 0.68 | 0.92 | — | 0.65 | 0.72 | 0.79 | 0.00 | 0.84 |
| D | 0.88 | 0.62 | 0.65 | — | 0.62 | 0.65 | 0.00 | 0.65 |
| E | 0.62 | 0.74 | 0.72 | 0.62 | — | 0.78 | 0.00 | 0.80 |
| F | 0.00 | 0.82 | 0.79 | 0.65 | 0.78 | — | 0.00 | 0.83 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.67 | 0.84 | 0.84 | 0.65 | 0.80 | 0.83 | 0.00 | — |