MusicBrainz recording
The Way You Move
OutKast feat. Sleepy Brown
3:55
clean / radio mix
9554f3b3-23a5-4282-9ded-d1acf1506aa2
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
242
linking them to it
Fingerprints
50
distinct audio files
Duration
3:49–4:50
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
9ec3eb35-159d-45df-a0eb-67cbf287a0ba
Also linked to
The Way You Move by OutKast featuring Sleepy Brown, The Way You Move by OutKast and
|
23 | 3:49–3:56 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
45afa7a4-a6f3-4d36-88e3-1702ae3289ec
Also linked to
The Way You Move by OutKast featuring Sleepy Brown, The Way You Move by OutKast and
|
17 | 3:51–3:58 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
5fb72105-aaee-4b39-b658-83c09c5f04ba
Also linked to
The Way You Move by OutKast featuring Sleepy Brown, The Way You Move by OutKast and
|
3 | 3:54–3:57 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
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| D |
8f9ee17f-35ae-426e-9e9d-ada54ba4ae80
Also linked to
The Way You Move by OutKast feat. Sleepy Brown, The Way You Move by OutKast feat. Sleepy Brown
|
3 | 4:49–4:50 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
f2eff201-4f11-4ec4-8e5d-eaf7be1dff65
Also linked to
The Way You Move (club mix) by OutKast feat. Sleepy Brown
|
2 | 3:56 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
01e8eea9-174e-4357-9446-e4c933d0246d
Also linked to
The Way You Move by OutKast featuring Sleepy Brown
|
2 | 3:54 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.