open source audio identification
MusicBrainz recording
Pump Up the Jam (jam edit mix)
Technotronic
5:00
950fa8f3-c663-4e1f-8fab-2ec8dfea4ff7
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
74
linking them to it
Fingerprints
53
distinct audio files
Duration
4:51–5:08
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
5354b851-b12e-4001-894a-10637a8ca4f3
Also linked to
Pump Up the Jam (Jam edit mix) by Technotronic
|
11 | 4:58–5:01 | ||||||||||||||||||
|
Recordings linked to A
|
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| B |
2948e215-429e-49c8-a054-9eecf96090ce
Also linked to
Pump Up the Jam (Jam edit mix) by Technotronic, Pump Up the Jam by Technotronic
|
6 | 4:55–5:02 | ||||||||||||||||||
|
Recordings linked to B
|
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| C | 65885839-af58-43c4-bcc4-a8607d92862d | 4 | 4:52–4:56 | ||||||||||||||||||
| D | 453fb0ce-0c5c-40c3-8907-aa222e5083e1 | 2 | 4:59 | ||||||||||||||||||
| E | 0c7eabaa-6e77-4687-8238-bb59e2e95a88 | 1 | 5:03 | ||||||||||||||||||
| F | 95009bd8-bcba-49de-80ab-fe7e4cfbe51f | 1 | 4:51 | ||||||||||||||||||
| G |
4c6d0685-7382-42f4-87be-0c8fc8c95eff
Also linked to
Pump Up the Jam (original mix) by Technotronic, Pump Up the Jam by Technotronic feat. Felly
|
20 | 5:02–5:08 | ||||||||||||||||||
|
Recordings linked to G
|
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| H | cbe74e47-0456-4d4d-a844-531930ace006 | 1 | 4:59 | ||||||||||||||||||
| I |
be12e940-c2df-4187-b9b7-9fe90e46a8de
Also linked to
Pump Up the Jam (Jam edit mix) by Technotronic
|
3 | 4:55–4:57 | ||||||||||||||||||
|
Recordings linked to I
|
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| J | 8ab327af-926a-449b-84ff-ccc4f213fe54 | 1 | 4:56 | ||||||||||||||||||
| K | 1e5c7616-d2ec-405c-9cfc-7a0b413ffe7e | 2 | 4:59 | ||||||||||||||||||
| L | bde2dbfc-bedc-447d-90c4-6d5d465b0e07 | 1 | 4:57 | ||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.67 | 0.30 | 0.00 | 0.12 | 0.32 | 0.00 | 0.37 | 0.12 | 0.00 | 0.63 |
| B | 0.00 | — | 0.00 | 0.00 | 0.42 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.67 | 0.00 | — | 0.19 | 0.00 | 0.10 | 0.31 | 0.00 | 0.27 | 0.09 | 0.00 | 0.56 |
| D | 0.30 | 0.00 | 0.19 | — | 0.00 | 0.19 | 0.16 | 0.00 | 0.66 | 0.23 | 0.00 | 0.25 |
| E | 0.00 | 0.42 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.12 | 0.00 | 0.10 | 0.19 | 0.00 | — | 0.00 | 0.00 | 0.21 | 0.59 | 0.00 | 0.00 |
| G | 0.32 | 0.00 | 0.31 | 0.16 | 0.00 | 0.00 | — | 0.00 | 0.22 | 0.00 | 0.00 | 0.26 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.37 | 0.00 | 0.27 | 0.66 | 0.00 | 0.21 | 0.22 | 0.00 | — | 0.23 | 0.00 | 0.27 |
| J | 0.12 | 0.00 | 0.09 | 0.23 | 0.00 | 0.59 | 0.00 | 0.00 | 0.23 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.63 | 0.00 | 0.56 | 0.25 | 0.00 | 0.00 | 0.26 | 0.00 | 0.27 | 0.00 | 0.00 | — |