open source audio identification
MusicBrainz recording
Relax
Frankie Goes to Hollywood
937acbc8-cbdd-45cc-a2eb-1455509c9318
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
34
linking them to it
Fingerprints
202
distinct audio files
Duration
2:22–9:11
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | d0308dfd-76d9-47d0-ab48-e604ae5e24ff | 53 | 3:52–3:59 | |||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
32b1c776-5cd8-4a02-b5ee-6d954c1794e4
Also linked to
Relax by Frankie Goes to Hollywood, Relax (MCMXCIII mix) by Frankie Goes to Hollywood and
|
87 | 3:51–3:58 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C | cce17e0a-d980-4b18-95b8-21f15313f3b3 | 1 | 2:46 | |||||||||||||||||||||||||||||||||
| D |
99359464-b770-454b-be73-c231fa1eebf7
Also linked to
Relax by Frankie Goes to Hollywood
|
13 | 3:54–3:59 | |||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
a76814c2-7856-4467-9bee-e04a77e5924e
Also linked to
Relax by Frankie Goes to Hollywood, Relax (Come Fighting) by Frankie Goes to Hollywood and
|
4 | 3:50–3:56 | |||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | 2988fbe6-f82f-4d60-a4a3-33fd83d5a6df | 1 | 7:35 | |||||||||||||||||||||||||||||||||
| G | 37fb391f-1aea-4b98-9c69-6e748d8e2e7f | 1 | 9:11 | |||||||||||||||||||||||||||||||||
| H |
05a626ef-08ea-4c15-a3ef-d100788e5405
Also linked to
Relax by Frankie Goes to Hollywood
|
3 | 3:50–3:55 | |||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I | bb01adc0-7fb7-4646-936d-428f2b0197f3 | 1 | 3:28 | |||||||||||||||||||||||||||||||||
| J |
8e8641c8-9a96-410d-bf75-17e256ec3a51
Also linked to
Relax (New York mix) by Frankie Goes to Hollywood, Frankie Goes to Hollywood by Fred Gray
|
36 | 7:22–7:28 | |||||||||||||||||||||||||||||||||
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Recordings linked to J
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| K | 79dd5c72-7b3c-472a-beab-9e55b6673a5c | 1 | 2:22 | |||||||||||||||||||||||||||||||||
| L | 3f25ef4e-27a7-48c8-a102-b5e359c305fb | 1 | 3:29 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.40 | 0.93 | 0.49 | 0.94 | 0.00 | 0.00 | 0.00 | 0.50 | 0.00 | 0.46 | 0.00 |
| B | 0.40 | — | 0.40 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.58 | 0.00 | 0.00 | 0.00 |
| C | 0.93 | 0.40 | — | 0.50 | 0.88 | 0.00 | 0.00 | 0.00 | 0.44 | 0.00 | 0.47 | 0.00 |
| D | 0.49 | 0.00 | 0.50 | — | 0.50 | 0.00 | 0.00 | 0.00 | 0.46 | 0.00 | 0.89 | 0.00 |
| E | 0.94 | 0.00 | 0.88 | 0.50 | — | 0.00 | 0.00 | 0.00 | 0.49 | 0.00 | 0.46 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.50 | 0.58 | 0.44 | 0.46 | 0.49 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.43 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.46 | 0.00 | 0.47 | 0.89 | 0.46 | 0.00 | 0.00 | 0.00 | 0.43 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |