MusicBrainz recording

Music (Groove Armada's 7" edit)

Madonna 3:38
91e4d31c-85ff-48de-8c6e-1a1fa1d68030 View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
52
linking them to it
Fingerprints
113
distinct audio files
Duration
3:26–9:05
range of submitted files

AcoustIDs

Most submitted first, 1 disabled
Show 1 disabled link
AcoustID Most common fingerprint Fingerprints Length Sources
A c73866ad-7a33-4423-a9bb-2a67feff762f
Also linked to Music by Madonna, Music by Madonna and
12 3:26–3:33
19
B 1e347a1e-ee2a-471d-85b2-7ca3dc40e005
Also linked to Just Like by Marvin Gaye, Music by Erick Sermon feat. Marvin Gaye and
18 3:51–3:58
6
C 5b415dd6-ddbe-4d0b-8a62-d5a37fa17f4e
Also linked to Music (Groove Armada 12" mix) by Madonna, Music (Groove Armada GA 12″ mix) by Madonna and
2 5:26–5:29
5
D e60d5fc2-1da3-4f7f-8231-b14527b38ec1
Also linked to Cyber‐Raga by Madonna, Music by Madonna and
8 5:36–5:39
5
E b2c73fe9-0643-45b7-9acf-d23e36f985a8
Also linked to Music (Groove Armada's 7" edit) by Madonna, Music (Groove Armada’s 7″ edit) by Madonna and
3 3:35–3:38
5
F 44906268-d38f-44a5-9f32-0eaa498b9e87
Also linked to Music (album version) by Madonna, Just Like by Marvin Gaye and
5 3:53–4:00
4
G d4884e10-e2c9-476f-ada0-ddc96f28f44e
Also linked to Music (Tracy Young Remix) by Madonna
1 5:48
2
H d4265514-39c5-4278-ba81-260b0b5271e3
Also linked to I Deserve It by Madonna
15 4:22–4:28
2
I afe4d463-91af-4771-b016-d3b31b5b1b96 2 9:05
1
J 5f800795-8d46-4a0a-a262-ef3e8907f601
Also linked to Impressive Instant by Madonna
6 3:37–3:39
1
K 102af553-aac0-4c37-9585-6a96339ec0f8
Also linked to Me Against the Music by Britney Spears featuring Madonna, Me Against the Music (Peter Rauhofer's radio mix) by Britney Spears feat. Madonna
10 3:49–3:54
1
L 80f9fefb-df11-41bf-b1b2-cbb52e3b6f95
Also linked to Music (HQ2 club mix) by Madonna, Music (HQ2 Club Mix) by Madonna and
31 8:46–8:53
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.