open source audio identification
MusicBrainz recording
Get On Up
The Esquires
2:24
91cc57b2-df1c-4457-b863-02cbb40b6018
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
303
linking them to it
Fingerprints
67
distinct audio files
Duration
2:16–2:33
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 3a3f0bc6-81c0-4f03-a7b6-b74b1843e64d | 20 | 2:18–2:25 | |||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B | 4408ce85-9b71-4b82-8d62-7ee6d69043ea | 1 | 2:18 | |||||||||||||||||||||||||||||||||
| C | a6d003ca-3ed1-4e91-840c-8fb538f41e1c | 3 | 2:23–2:27 | |||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D | 59e73908-2a18-4d05-8793-559fab106d9f | 15 | 2:18–2:26 | |||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E | 571e580e-8031-40a9-b558-573cc596a639 | 3 | 2:16–2:17 | |||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | f7e446d9-3548-40d6-89f3-62ebe1256790 | 5 | 2:19 | |||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G |
253a6180-f43f-4db6-abeb-d6fb0c6ca767
Also linked to
Beauty Is Only Skin Deep by The Temptations
|
11 | 2:26–2:33 | |||||||||||||||||||||||||||||||||
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Recordings linked to G
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| H |
f544f5a3-7812-4ef5-9d0b-a177fe959704
Also linked to
Get On Up by The Esquires
|
5 | 2:23–2:28 | |||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I | 594be578-9d04-4416-9cc6-8ba429d85492 | 1 | 2:21 | |||||||||||||||||||||||||||||||||
| J | a4b162ae-06bf-4bbe-bbb8-ab2f28288ed0 | 1 | 2:27 | |||||||||||||||||||||||||||||||||
| K | 3ff53965-8ad4-4045-a03e-36d3cef437be | 1 | 2:18 | |||||||||||||||||||||||||||||||||
| L | 0152f5b9-3095-41d4-940d-40bbc42ecd38 | 1 | 2:22 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.47 | 0.49 | 0.56 | 0.74 | 0.56 | 0.71 | 0.56 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.47 | — | 0.00 | 0.59 | 0.00 | 0.64 | 0.46 | 0.62 | 0.68 | 0.00 | 0.65 | 0.00 |
| C | 0.49 | 0.00 | — | 0.00 | 0.57 | 0.00 | 0.54 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.56 | 0.59 | 0.00 | — | 0.45 | 0.56 | 0.49 | 0.85 | 0.67 | 0.00 | 0.55 | 0.00 |
| E | 0.74 | 0.00 | 0.57 | 0.45 | — | 0.56 | 0.88 | 0.44 | 0.43 | 0.00 | 0.00 | 0.00 |
| F | 0.56 | 0.64 | 0.00 | 0.56 | 0.56 | — | 0.59 | 0.57 | 0.66 | 0.00 | 0.52 | 0.00 |
| G | 0.71 | 0.46 | 0.54 | 0.49 | 0.88 | 0.59 | — | 0.43 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.56 | 0.62 | 0.00 | 0.85 | 0.44 | 0.57 | 0.43 | — | 0.68 | 0.00 | 0.58 | 0.00 |
| I | 0.00 | 0.68 | 0.00 | 0.67 | 0.43 | 0.66 | 0.00 | 0.68 | — | 0.00 | 0.67 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.65 | 0.00 | 0.55 | 0.00 | 0.52 | 0.00 | 0.58 | 0.67 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |