MusicBrainz recording

Get Off of My Cloud

The Rolling Stones 2:56 mono version
90144ac7-a64b-4f09-b9dc-362efe9b8904 View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
886
linking them to it
Fingerprints
110
distinct audio files
Duration
2:49–3:21
range of submitted files

AcoustIDs

Most submitted first
AcoustID Most common fingerprint Fingerprints Length Sources
A 675d2ab9-c8fd-4809-b83b-339b151d2b69
Also linked to Get Off of My Cloud by The Rolling Stones, Get Off My Cloud by The Rolling Stones and
20 2:54–3:01
494
B 6b28eb0b-912d-482b-b80d-d9337db19a50
Also linked to Get Off of My Cloud by The Rolling Stones, Get Off of My Cloud by The Rolling Stones and
2 2:53
206
C 7e6f4d0f-bd0c-4245-b981-15462540d05f
Also linked to Get Off of My Cloud by The Rolling Stones, Get Off of My Cloud by The Rolling Stones and
25 2:54–3:01
84
D 825b0b63-2550-490f-b3d5-8b8fb0a24716
Also linked to Get Off of My Cloud by The Rolling Stones, Get Off of My Cloud by The Rolling Stones and
11 2:55–3:01
58
E 3531610c-d82f-4957-936b-cf5b5b24c709
Also linked to Get Off of My Cloud by The Rolling Stones, Little by Little by The Rolling Stones and
28 2:51–2:58
35
F 5984bd72-290c-4351-bea2-4ffe40ae9575
Also linked to Get Off of My Cloud by The Rolling Stones, Get Off of My Cloud by The Rolling Stones and
11 2:57–3:04
2
G 2a200444-242c-4df2-bd42-3faab5c4b758
Also linked to Get Off of My Cloud by The Rolling Stones, Get Off of My Cloud by The Rolling Stones and
3 2:49–2:50
2
H aa877bbf-f20c-4b43-b126-b75865c55f79
Also linked to Get Off of My Cloud by The Rolling Stones
1 3:03
1
I d305e928-9725-4cd9-8086-16bb4dea6b0b 1 3:21
1
J 8ea665a3-fead-486c-a0ab-1a575d1d5989
Also linked to Get Off of My Cloud by The Rolling Stones, Get Off of My Cloud by The Rolling Stones
3 2:55–2:56
1
K ed7c15a5-2d61-4975-a0b8-aa56001690e8 1 3:02
1
L 91b954bc-92a8-4051-b811-74637b9ad3a3
Also linked to Get Off of My Cloud by The Rolling Stones
4 2:56–3:02
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.