MusicBrainz recording
Grown Up Wrong
The Rolling Stones
8f2184d6-aeca-4301-9ea3-02f063acf68e
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
26
linking them to it
Fingerprints
58
distinct audio files
Duration
2:00–2:38
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
5cc0a817-7983-4ba8-9e58-b1b42dd36a49
Also linked to
Grown Up Wrong by The Rolling Stones, Grown Up Wrong by The Rolling Stones and
|
8 | 2:00–2:06 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
a3bce84e-5a51-49e4-8432-a319e51b94f7
Also linked to
Grown Up Wrong by The Rolling Stones, Grown Up Wrong by The Rolling Stones and
|
13 | 2:02–2:09 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
3a437686-b275-4cde-a5d3-138494057eb6
Also linked to
Good Times, Bad Times by The Rolling Stones, Good Times, Bad Times by The Rolling Stones and
|
18 | 2:31–2:38 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D |
e695d1c8-9447-4c02-a430-e989d29d09b2
Also linked to
Grown Up Wrong by The Rolling Stones, Grown Up Wrong by The Rolling Stones
|
5 | 2:06–2:10 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
e6fe1eb1-dfbe-414d-9722-b559a9ce613e
Also linked to
Good Times, Bad Times by The Rolling Stones, Good Times, Bad Times by The Rolling Stones and
|
13 | 2:31–2:35 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | c6e844a0-ade5-4bfa-bfe7-780435a34b35 | 1 | 2:37 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.