MusicBrainz recording
Wherever You Are
Billie Holiday
3:01
8e6d19f2-09af-46ac-b65e-c675dad44aaa
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
9
linking them to it
Fingerprints
14
distinct audio files
Duration
2:59–3:02
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
77cb1223-e4e3-4f55-a59a-7f0181c4adb5
Also linked to
Wherever You Are by Billie Holiday, Wherever You Are by Billie Holiday and
|
5 | 2:59–3:02 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
22ee4c50-5647-4d1a-a5e2-6bd10111c96d
Also linked to
Wherever You Are by Billie Holiday, Wherever You Are by Billie Holiday and
|
3 | 3:01–3:02 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
8be40d2b-9e16-4243-adc7-dfe99ebf8731
Also linked to
Wherever You Are (take 1) by Billie Holiday with Teddy Wilson and His Orchestra, Wherever You Are by Billie Holiday and
|
4 | 3:01–3:02 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
dfe621ec-bb47-499a-960f-fe27ed066bcb
Also linked to
Wherever You Are (take 2) by Billie Holiday with Teddy Wilson & His Orchestra, Wherever You Are (take 1) by Billie Holiday with Teddy Wilson and His Orchestra
|
2 | 3:01 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.