open source audio identification
MusicBrainz recording
Deacon Blues
Steely Dan
3:20
8de9aee8-a7c0-48ed-834c-1936d1b60f1b
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
11
linking them to it
Fingerprints
26
distinct audio files
Duration
2:54–3:40
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 73e5851e-87f7-40e0-b7f2-c1f87232be90 | 2 | 3:20 | ||||||||||||||||||||||||||||
| B |
d212d598-f328-4635-9277-575b98518f93
Also linked to
Zorba’s Dance by Arestodes Bouzuki’s, Zorba's Dance by Μίκης Θεοδωράκης
|
2 | 2:54 | ||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
6f0f5e0d-7cef-4da7-af70-78f5cb02b3ab
Also linked to
See You Later Alligator by Bill Haley
|
1 | 2:54 | ||||||||||||||||||||||||||||
|
Recordings linked to C
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| D |
2b79880a-921f-45d2-8b03-87302f67cac1
Also linked to
Movimento di rock by Adriano Celentano, Veleno by Adriano Celentano and
|
2 | 3:09 | ||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
921ccaeb-da29-4e0b-8a9e-ee7c713e6c6d
Also linked to
Zigeunerjunge by Alexandra
|
2 | 3:06–3:07 | ||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
760ca7c1-76c1-45d8-992b-a94db4825d36
Also linked to
She’s My Baby by Dave Edmunds
|
1 | 3:40 | ||||||||||||||||||||||||||||
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Recordings linked to F
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| G |
d08970d6-b553-4b17-8504-664526fa489a
Also linked to
New Years Day by 2 Fabiola
|
6 | 3:24–3:30 | ||||||||||||||||||||||||||||
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Recordings linked to G
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| H |
07d467f9-2efe-4eeb-8e21-3236dd70bd21
Also linked to
Zeig doch mal die Möpse by Die Partygeier, Zeig' doch mal die Möpse by Die Partygeier and
|
8 | 3:37–3:40 | ||||||||||||||||||||||||||||
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Recordings linked to H
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| I |
644a32af-3811-4782-abb9-dd76e20e43c4
Also linked to
Mama by Die Prinzen
|
2 | 3:01–3:02 | ||||||||||||||||||||||||||||
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Recordings linked to I
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |