open source audio identification
MusicBrainz recording
Walking on Sunshine ’93
Katrina and the Waves
3:46
8d1c63cb-dac4-42e1-a3a0-b7cd85c65a33
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
273
linking them to it
Fingerprints
70
distinct audio files
Duration
3:38–3:51
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
b136379e-000c-4b1c-8b95-1e951fdf8c46
Also linked to
Walking on Sunshine by Katrina and the Waves, Walking on Sunshine (remix ’93) by Katrina and the Waves and
|
8 | 3:41–3:46 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
57032074-9533-4fc4-bf4b-5fc7078e7cfc
Also linked to
Walking on Sunshine by Katrina and the Waves
|
2 | 3:49 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
9b3addff-0ab9-4c41-8354-1b388ae98f4b
Also linked to
Walking on Sunshine by Katrina and the Waves, Walking on Sunshine by Katrina and the Waves and
|
35 | 3:44–3:51 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
4408563f-4ed5-448c-8c5c-ae5c8b526f11
Also linked to
Walking on Sunshine by Katrina and the Waves, Walking on Sunshine by Katrina and the Waves and
|
22 | 3:38–3:44 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 72f5f33d-8dae-4daa-9469-edea8ab55150 | 1 | 3:48 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F |
7e89230b-d729-406b-b6bf-075f122a3ec3
Also linked to
Walking on Sunshine by Katrina and the Waves
|
2 | 3:43–3:49 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.