open source audio identification
MusicBrainz recording
He’s a Son of the South
Louis Armstrong and His Orchestra
2:40
8a7223ec-ab91-472b-ad4c-d8724906baf0
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
117
linking them to it
Fingerprints
41
distinct audio files
Duration
1:50–5:50
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | d16935c8-f0de-4efb-be86-f4cea539c557 | 9 | 2:38–2:41 | |||||||||||||||||||||||
| B |
5e14917e-83ca-47cc-ab27-a4ea9a953305
Also linked to
He's A Son Of The South by Louis Armstrong
|
4 | 2:40–2:42 | |||||||||||||||||||||||
|
Recordings linked to B
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| C |
9965d254-ff4f-4f5e-997c-208fd243e57d
Also linked to
He's A Son Of The South by Louis Armstrong & His Orchestra
|
3 | 2:40 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 0891f5c3-0794-4891-9418-1eee5dff9fcb | 1 | 2:46 | |||||||||||||||||||||||
| E | a9e9b260-6bee-4824-856d-06fe59682c2c | 2 | 2:37 | |||||||||||||||||||||||
| F |
ff1027de-c602-4ecf-b3c4-5bc109c42c15
Also linked to
Gambler’s Dream by Hociel Thomas with Louis Armstrong Jazz Four
|
5 | 2:31–2:33 | |||||||||||||||||||||||
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Recordings linked to F
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| G | bde7ad35-f0f0-4ec8-b8fd-b7a64f03990b | 2 | 5:50 | |||||||||||||||||||||||
| H | af59bb13-f200-4d76-a399-79ca49481d53 | 1 | 2:40 | |||||||||||||||||||||||
| I | fb6de10c-2bdf-4ba1-b1ba-cdfe5f86f5e3 | 1 | 2:45 | |||||||||||||||||||||||
| J | 07de8711-bee6-4d15-91bf-db33bc9039f5 | 1 | 2:33 | |||||||||||||||||||||||
| K |
1b079549-f425-44d7-a7de-479348f7a51d
Also linked to
Thanks a Million by Louis Armstrong & His Orchestra, Thanks a Million by Louis Armstrong & His Orchestra and
|
11 | 2:36–2:41 | |||||||||||||||||||||||
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Recordings linked to K
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| L | 864495e4-00a3-4e7f-bb23-613fae570805 | 1 | 1:50 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.55 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.62 |
| B | 0.00 | — | 0.41 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.41 | — | 0.00 | 0.51 | 0.00 | 0.00 | 0.65 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.40 | 0.00 | 0.00 | 0.00 |
| E | 0.55 | 0.00 | 0.51 | 0.00 | — | 0.00 | 0.00 | 0.60 | 0.00 | 0.00 | 0.00 | 0.66 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.60 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.65 | 0.00 | 0.60 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.43 |
| I | 0.00 | 0.00 | 0.00 | 0.40 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.60 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.62 | 0.00 | 0.00 | 0.00 | 0.66 | 0.00 | 0.00 | 0.43 | 0.00 | 0.00 | 0.00 | — |