open source audio identification
MusicBrainz recording
One Never Knows, Does One
Billie Holiday
3:04
8a4aa863-ddb0-4e6b-9613-2d2794edf81d
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
28
linking them to it
Fingerprints
15
distinct audio files
Duration
3:01–3:08
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
e4a94e58-0022-4556-8288-190caec1885f
Also linked to
One Never Knows, Does One by Billie Holiday, My Man by Billie Holiday with Teddy Wilson & His Orchestra and
|
2 | 3:04 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
749e6060-be06-4155-95c1-88f51daaba75
Also linked to
One Never Knows, Does One? by Billie Holiday and Her Orchestra, One Never Knows, Does One? by Billie Holiday and
|
2 | 3:02–3:05 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
d9df92f8-a2b2-4404-91d6-bc3477b031d0
Also linked to
One Never Knows, Does One? by Billie Holiday, One Never Knows - Does One? by Billie Holiday and
|
9 | 3:01–3:08 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
69e5923b-0437-4aed-a2b8-238a820e9dea
Also linked to
I’ll Never Be the Same by Teddy Wilson and His Orchestra with Billie Holiday
|
2 | 3:04 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.