MusicBrainz recording
The Man Who Sold the World (live)
David Bowie
3:35
8a18afdb-81b6-4c14-ba74-daee917307b2
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
93
linking them to it
Fingerprints
87
distinct audio files
Duration
3:10–6:16
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| A |
5a3cc3c8-d929-4465-9e2c-6279d46e0fe3
Also linked to
The Man Who Sold the World (Eno ‘live’ mix) by David Bowie, Man Who Sold the World by David Bowie and
|
5 | 3:32–3:37 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
9e396e65-63f3-4d73-a7d2-f3cb6c2ce17e
Also linked to
The Man Who Sold the World by David Bowie, The Man Who Sold the World by David Bowie and
|
34 | 3:54–4:01 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
11b51291-d045-457f-8134-e0ce1cdf6d88
Also linked to
Word on a Wing by David Bowie, Word on a Wing by David Bowie and
|
5 | 6:14–6:16 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
301740c4-8b26-452e-9ae0-87c2acc9451f
Also linked to
Always Crashing in the Same Car by David Bowie, Always Crashing in the Same Car by David Bowie and
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4 | 3:33–3:38 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
7be2ea91-8960-4b12-a3a0-bba419b5559c
Also linked to
The Man Who Sold the World by Lulu & David Bowie, The Man Who Sold the World by Lulu & David Bowie and
|
4 | 3:50–3:53 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
ce0dc966-e12b-4ffe-8c36-7eda80d7d2da
Also linked to
Oh! You Pretty Things by David Bowie, Oh! You Pretty Things by David Bowie and
|
35 | 3:10–3:15 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.