open source audio identification
MusicBrainz recording
Can’t Buy Me Love
The Beatles
2:13
2023 stereo mix
89bb1c45-178d-44ec-b8b1-7cb3f3fc6343
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
606
linking them to it
Fingerprints
115
distinct audio files
Duration
2:09–2:20
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
d5c6b69e-ef9a-4c7e-8181-8a86170f7201
Also linked to
Can’t Buy Me Love by The Beatles, Can't Buy Me Love by The Beatles
|
2 | 2:12–2:13 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
b94b83d8-8477-425c-8439-4919672b9d25
Also linked to
Can’t Buy Me Love by The Beatles, Can’t Buy Me Love by The Beatles and
|
77 | 2:09–2:16 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
4c922aa8-8e09-4711-9235-aabf8a78af07
Also linked to
Can’t Buy Me Love by The Beatles, Can’t Buy Me Love by The Beatles and
|
17 | 2:11–2:20 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
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| D |
71a66c3d-1d76-4726-9a1d-1dbb73a447a5
Also linked to
Can’t Buy Me Love by The Beatles
|
1 | 2:13 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
82670b6e-5591-4dd3-993b-55bc9a9fde80
Also linked to
Can’t Buy Me Love by The Beatles, Can’t Buy Me Love by The Beatles and
|
18 | 2:09–2:15 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.