open source audio identification
MusicBrainz recording
Run Through the Jungle
Creedence Clearwater Revival
3:06
88bfb953-faff-486d-ac7e-70a6b526cebb
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
28
linking them to it
Fingerprints
161
distinct audio files
Duration
3:00–3:21
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
ae8fadca-cedb-4b08-b573-e33a5ecc467f
Also linked to
Run Through the Jungle by Creedence Clearwater Revival, Run Through the Jungle by Creedence Clearwater Revival and
|
57 | 3:04–3:11 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
3d78cd9d-f7e1-44ab-aa63-0c7fc45ebedf
Also linked to
Run Through the Jungle by Creedence Clearwater Revival, Lodi by Creedence Clearwater Revival and
|
52 | 3:03–3:10 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
1889cbbc-3b3f-4a92-848b-0cbd5c55140c
Also linked to
Run Through the Jungle by Creedence Clearwater Revival, Run Through the Jungle by Creedence Clearwater Revival and
|
47 | 3:00–3:07 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D | e813bd85-b5c9-4461-9742-f9be58117a69 | 3 | 3:05–3:06 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
f1302b82-13cb-4d74-a215-e7997d6410b5
Also linked to
Run Through the Jungle by Creedence Clearwater Revival
|
2 | 3:15–3:21 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.