open source audio identification
MusicBrainz recording
Addicted to Love
Robert Palmer
4:17
889d1de0-11e9-4223-9858-e5d9a58fb2d4
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
571
linking them to it
Fingerprints
105
distinct audio files
Duration
3:57–4:30
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
7303612c-aee7-4b50-8587-f913d4a813fd
Also linked to
Addicted to Love by Robert Palmer, Addicted to Love by Robert Palmer and
|
24 | 4:15–4:22 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
08a2b799-076b-4893-baef-49412e343efd
Also linked to
Addicted to Love by Robert Palmer, Addicted to Love (remix) by Robert Palmer and
|
47 | 4:21–4:28 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
c1f282a7-9c94-40a8-879a-93b3653188c5
Also linked to
Addicted to Love by Robert Palmer, Addicted to Love by Robert Palmer and
|
11 | 4:07–4:14 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
657bf411-61a9-4549-b5f6-95bbd7355243
Also linked to
Addicted to Love by Robert Palmer, Addicted to Love by Robert Palmer and
|
15 | 4:23–4:30 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
4f55a044-7ef3-4ee1-b517-5aeee394cc62
Also linked to
Addicted to Love by Robert Palmer, Addicted to Love by Robert Palmer
|
3 | 3:57–4:04 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
13d07917-17bb-4673-a57d-fd44484a2a1f
Also linked to
Fool’s Life by Kossoff / Kirke / Tetsu / Rabbit
|
2 | 4:18 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G | 9e0843c0-d6f0-42da-bc3e-de3159dbac28 | 1 | 4:19 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| H | 2af1cd48-7ea7-43af-8cdf-53da923ae28f | 1 | 4:13 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| I | c2a7114c-215d-42d4-91ef-b52be2630a5a | 1 | 4:16 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.83 | 0.86 | 0.80 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.83 | — | 0.87 | 0.88 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.86 | 0.87 | — | 0.84 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.80 | 0.88 | 0.84 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |