MusicBrainz recording

Don't Let Me Down

The Beatles 3:36 Twickenham Sessions
875a5a0e-efdf-4038-8991-bf3f9f4bbcd6 View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
110
linking them to it
Fingerprints
83
distinct audio files
Duration
3:29–3:46
range of submitted files

AcoustIDs

Most submitted first
AcoustID Most common fingerprint Fingerprints Length Sources
A 80a1fabf-1340-4eaa-9af5-31ec4fd33020
Also linked to Don't Let Me Down by The Beatles, Don't Let Me Down by The Beatles and
3 3:37–3:38
36
B f7182408-2527-4554-8e99-ed67ee130bd8
Also linked to Don't Let Me Down by The Beatles, Don't Let Me Down by The Beatles and
2 3:38–3:39
19
C c6cbe0c7-247d-48fe-baa1-fa93f2fc431e
Also linked to Don't Let Me Down by The Beatles, Don’t Let Me Down by The Beatles and
3 3:35–3:36
18
D 0aa5fbf0-ff50-4c33-9461-0e4df15018f7
Also linked to Don’t Let Me Down by The Beatles, Don't Let Me Down by The Beatles and
2 3:40
16
E 33b39a6d-40fc-4be2-92b0-aec61524e737
Also linked to Don’t Let Me Down by The Beatles with Billy Preston, Don’t Let Me Down by The Beatles and
12 3:29–3:35
6
F 3c67c81f-3336-410d-aceb-a4c947279f32
Also linked to Don’t Let Me Down by The Beatles, Don’t Let Me Down by The Beatles with Billy Preston and
49 3:32–3:39
6
G 8bbb02c6-a525-478d-975c-41a41b4a1bad
Also linked to Don't Let Me Down by The Beatles, Don't Let Me Down by The Beatles and
2 3:41
3
H 766806f4-018f-430b-93f5-44939797d486
Also linked to Don’t Let Me Down (jam) by The Beatles, Don't Let Me Down by The Beatles and
3 3:44–3:46
2
I fff8cc8b-00fb-4a10-99dc-da7159908284
Also linked to Don't Let Me Down by The Beatles, Don't Let Me Down by The Beatles and
5 3:29–3:34
2
J 388eb166-be63-4de6-855c-f42457c6a595
Also linked to Don't Let Me Down by The Beatles
1 3:40
1
K 659d6d30-1646-4fb8-8800-8cd1e8af86ca
Also linked to Don't Let Me Down 3.47 by The Beatles, Don't Let Me Down by The Beatles and
1 3:39
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.