MusicBrainz recording
Your Time Has Come
Audioslave
4:14
869ab333-cf5d-40c9-b39b-6af2881bb830
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
29
linking them to it
Fingerprints
30
distinct audio files
Duration
3:57–4:24
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
169f01ab-7447-4cc8-96c7-f2d2dd549466
Also linked to
Your Time Has Come by Audioslave, Your Time Has Come by Streetboy
|
5 | 4:10–4:17 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||
| B |
e53dec7b-02c8-4c96-91dd-a939f5304593
Also linked to
Your Time Has Come by Audioslave, This Is Forever by Guitar Slingers and
|
6 | 4:13–4:19 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||
| C |
b46798b0-1d77-4566-adfb-77739524058e
Also linked to
Like a Stone (live) by Audioslave, Your Time Has Come by Audioslave and
|
4 | 4:22–4:24 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||
| D |
7cf06713-6a85-44ae-9926-2fa789645480
Also linked to
What You Are by Audioslave, What You Are by Audioslave and
|
8 | 4:04–4:09 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||
| E | 7d1e834b-5e72-4c2d-9ca4-3d85544eb72c | 7 | 3:57–3:59 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.