open source audio identification
MusicBrainz recording
Stayin' Alive (From "Saturday Night Fever" Soundtrack)
Bee Gees
4:44
Dolby Atmos Mix
84e89d95-86cc-4744-a5f6-eda06cf4d2ce
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
33
linking them to it
Fingerprints
126
distinct audio files
Duration
4:40–4:50
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
abe501e3-c57f-4a2b-9988-f11d5b46967c
Also linked to
Stayin’ Alive by Bee Gees, Stayin’ Alive (K Theory & TYR remix) by Bee Gees and
|
48 | 4:41–4:50 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
2a87f799-aa73-4ba3-a1cb-2b6221c9818b
Also linked to
Stayin’ Alive by Bee Gees, Stayin’ Alive by Bee Gees and
|
15 | 4:42–4:49 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
8247ec7e-e892-4792-936d-ed4df5e2e2f9
Also linked to
Stayin’ Alive by Bee Gees, Stayin’ Alive (from “Saturday Night Fever” soundtrack) by Bee Gees and
|
6 | 4:40–4:47 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
559c07ed-8268-42ee-a3fa-129603765a56
Also linked to
Stayin’ Alive by Bee Gees, Stayin Alive by Bee Gees and
|
52 | 4:40–4:47 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
3251ca3e-a50a-4732-b720-8c5f1e674d27
Also linked to
Stayin’ Alive by Bee Gees
|
1 | 4:44 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
f647a4d2-cfab-46c7-9ab8-e486410924f8
Also linked to
Stayin’ Alive by Bee Gees
|
4 | 4:48–4:49 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.