open source audio identification
MusicBrainz recording
We’ve Only Just Begun
Andy Williams
3:14
83f884da-d704-43df-a2aa-7578fa21dbb5
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
163
linking them to it
Fingerprints
57
distinct audio files
Duration
3:04–3:21
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
609c1608-ecd1-4153-bd1b-9e66973915ec
Also linked to
We’ve Only Just Begun by Andy Williams, We've Only Just Begun by Andy Williams and
|
13 | 3:12–3:17 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 800b96a2-e3ec-4377-8a97-e6b2f7cb33cd | 1 | 3:21 | ||||||||||||||||||||||||||||
| C | df6392b5-bbf6-46ad-b3b3-f152b1c97a10 | 1 | 3:18 | ||||||||||||||||||||||||||||
| D |
8724b581-9a05-4df4-be8c-51c1aefcfc73
Also linked to
We’ve Only Just Begun by Carpenters, Top of the World by Carpenters and
|
25 | 3:04–3:09 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
a287f3f6-4d8c-492a-9d9b-46655a811212
Also linked to
The Way We Were by Andy Williams, The Way We Were by Andy Williams
|
4 | 3:16–3:18 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 75d7accd-c91b-49bd-8c4e-8aa9cfcaae6c | 1 | 3:07 | ||||||||||||||||||||||||||||
| G |
68bf4d9d-5f04-4c0d-b449-8a052af05a65
Also linked to
We’ve Only Just Begun by 101 Strings Orchestra, We've Only Just Begun by 101 Strings Orchestra and
|
10 | 3:12–3:17 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
1f3f9434-4fc7-4002-83b4-4e48d1ea3680
Also linked to
We Three Kings of Orient Are by The Huddersfield Choral Society, We Three Kings of Orient Are by The Huddersfield Choral Society
|
1 | 3:15 | ||||||||||||||||||||||||||||
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Recordings linked to H
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| I | 6411e81b-b435-415d-a5f4-6e8e9940d277 | 1 | 3:14 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.20 | 0.32 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.39 |
| B | 0.20 | — | 0.28 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.24 |
| C | 0.32 | 0.28 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.68 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.39 | 0.24 | 0.68 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |