open source audio identification
MusicBrainz recording
Take Me Home Country Roads
Olivia Newton‐John
3:18
82c6a075-63d0-441d-980e-d17c874e8cfd
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
653
linking them to it
Fingerprints
66
distinct audio files
Duration
3:05–3:37
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
05a1fe62-2617-4049-942a-620706ff8234
Also linked to
Take Me Home, Country Roads by John Denver, The Road to Mandalay by Robbie Williams
|
22 | 3:15–3:22 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
db9eba4f-93c0-4e91-b811-45c636d7f355
Also linked to
I’arcobaleno by Adriano Celentano, Make a Move on Me by Olivia Newton‐John and
|
13 | 3:18–3:23 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
03aca1df-53ab-4466-8e88-ea95390c3199
Also linked to
Take Me Home Country Roads by Olivia Newton‐John
|
5 | 3:20–3:22 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 455eae17-089a-49d3-ba82-e55afd7e5617 | 3 | 3:23–3:24 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E | 9f1454f6-cb1b-409e-833c-f5d7a169a7e0 | 1 | 3:11 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F | 35013132-18ac-4aac-8526-cb43e86a402a | 2 | 3:22–3:23 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G |
b1abbdb7-7780-4158-81d2-364ca4841f37
Also linked to
Take Me Home, Country Roads by John Denver, Take Me Home, Country Roads (Original Version) by John Denver and
|
11 | 3:11–3:18 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
|
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| H | 244d6960-b426-4c03-b369-e02527a545c2 | 1 | 3:36 | ||||||||||||||||||||||||||||||||||||||||||||||||
| I | 8b25114f-1ce4-44c5-972b-b7e3cda9c65f | 4 | 3:13–3:20 | ||||||||||||||||||||||||||||||||||||||||||||||||
| J | d0eed325-f491-4f4e-bc66-352b955bcffe | 3 | 3:30–3:37 | ||||||||||||||||||||||||||||||||||||||||||||||||
| K | a6e6ab9a-7aed-44f6-a935-95d667802850 | 1 | 3:05 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.90 | 0.90 | 0.00 | 0.00 | 0.00 | 0.60 | 0.97 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.50 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.90 | 0.00 | 0.00 | — | 0.97 | 0.00 | 0.00 | 0.00 | 0.57 | 0.88 | 0.00 |
| E | 0.90 | 0.00 | 0.00 | 0.97 | — | 0.00 | 0.00 | 0.00 | 0.56 | 0.87 | 0.00 |
| F | 0.00 | 0.00 | 0.50 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.60 | 0.00 | 0.00 | 0.57 | 0.56 | 0.00 | 0.00 | 0.00 | — | 0.61 | 0.00 |
| J | 0.97 | 0.00 | 0.00 | 0.88 | 0.87 | 0.00 | 0.00 | 0.00 | 0.61 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |